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Perhaps that is what it means to be a father - to teach your child to live without you.

Nicole Krauss

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Nicole Krauss
Age: 50
Born: 1974
Born: August 18
Author
Novelist
Writer
Manhattan borough
New York City
Means
Father
Live
Without
Children
Mean
Perhaps
Teach
Child

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The price we paid for the volumes of ourselves that we suffocated in the dark.
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I've reached the age where bruises are formed from failures within rather than accidents without.
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When the word 'nostalgia' was coined in the 18th century, it was used to describe a pathology - not so much a sense of lost time, but a severe homesickness.
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There are times when the kindness of strangers only makes things worse because one realizes how badly one is in need of kindness and that the only source is a stranger.
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... as a rule of thumb, whenever there appears a plural, correct for a singular. Should I ever let slip a royal WE, put me out of my misery with a swift blow to the head.
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Even among the angels, there is the sadness of division.
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He spoke of human solitude, about the intrinsic loneliness of a sophisticated mind, one that is capable of reason and poetry but which grasps at straws when it comes to understanding another, a mind aware of the impossibility of absolute understanding. The difficulty of having a mind that understands that it will always be misunderstood.
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The moment had passed, the door between the lives we could have led and the lives we led had shut in our faces.
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Only later did I come to understand that to be a mother is to be an illusion. No matter how vigilant, in the end a mother can't protect her child - not from pain, or horror, or the nightmare of violence, from sealed trains moving rapidly in the wrong direction, the depravity of strangers, trapdoors, abysses, fires, cars in the rain, from chance.
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We move through the day like two hands of a clock: sometimes we overlap for a moment, then come apart again, carrying on alone. Everyday exactly the same: the tea, the burnt toast, the crumbs, the silence.
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There is a fallacy that the powerful emotion of youth mellows with time. Not true. One learns to control and suppress it. But it doesn't lessen. It simply hides and concentrates itself in more discreet places. When one accidentally stumbles into one of these abysses, the pain is spectacular.
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I read like an animal. I read under the covers, I read lying in the grass, I read at the dinner table. While other people were talking to me, I read.
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In nature forms are endlessly being destroyed and then recreated and destroyed and recreated. Nature isn't afraid to destroy forms in the process of regenerating. So why are we afraid of that in life?
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How was it possible to wake up every day and be recognizable to another when so often one was barely recognizable to oneself?
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What interests me very much as a writer is the ability for writing to have our lives to be occupied so vividly by others. I think that's what we long for as writers.
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That powers my desire to write: the sense of how quickly everything on the surface of life can be cut away and you can suddenly be inside the most inner part of the most inner life of a person. What does it feel like there, and what are the regrets and sensations and longings, and what is the music of it?
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That's what I do. Watch movies and read. Sometimes I even pretend to write, but I'm not fooling anyone. Oh, and I go to the mailbox.
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And it's like some tiny nothing that sets off a natural disaster halfway across the world, only this was the opposite of disaster, how by accident she saved me with that thoughtless act of grace, and she never knew, and how that, too, is the part of the history of love.
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What is literature, really? Boiled down to a single sentence, I'd say it's this: an endless conversation about what it means to be human. And to read literature is to engage in that conversation.
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