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There are times when the kindness of strangers only makes things worse because one realizes how badly one is in need of kindness and that the only source is a stranger.

Nicole Krauss

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Nicole Krauss
Age: 50
Born: 1974
Born: August 18
Author
Novelist
Writer
Manhattan borough
New York City
Things
Kindness
Worse
Source
Realizing
Times
Realizes
Makes
Strangers
Need
Badly
Needs
Stranger

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After she left everything fell apart. No Jew was safe. There were rumors of unfathomable things, and because we couldn't fathom them we failed to believe them, until we had no choice and it was too late. p 8
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To hike out alone in the desert to sleep on the valley floor on a night with no moon, in the pitch black, just listening to the boom of silence: you can't imagine what that's like.
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... as a rule of thumb, whenever there appears a plural, correct for a singular. Should I ever let slip a royal WE, put me out of my misery with a swift blow to the head.
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If I had a camera,' I said, 'I'd take a picture of you every day. That way I'd remember how you looked every single day of your life.
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Our kiss was niticlimactic. It wasn't that the kiss was bad, but it was just a note of punctuation in our long conversation, a parenthetical remark made in order to assure each other of a deeply felt agreement, a mutual offer of companionship, which is so much more rare than sexual passion or even love.
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The price we paid for the volumes of ourselves that we suffocated in the dark.
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That powers my desire to write: the sense of how quickly everything on the surface of life can be cut away and you can suddenly be inside the most inner part of the most inner life of a person. What does it feel like there, and what are the regrets and sensations and longings, and what is the music of it?
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Later - when things happened that they could never have imagined - she wrote him a letter that said: When will you learn that there isn't a word for everything
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That's what I do. Watch movies and read. Sometimes I even pretend to write, but I'm not fooling anyone. Oh, and I go to the mailbox.
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In nature forms are endlessly being destroyed and then recreated and destroyed and recreated. Nature isn't afraid to destroy forms in the process of regenerating. So why are we afraid of that in life?
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She struggled with her sadness, but tried to conceal it, to divide it into smaller and smaller parts and scatter these in places she thought no one would find them.
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Once upon a time there was a boy who loved a girl, and her laughter was a question he wanted to spend his whole life answering.
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I smiled back, the importance of manners, my mother always said, is inversely related to how inclined one is to use them, or, in other words, sometimes politeness is all that stands between oneself and madness.
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Part of the work of writing a novel is to uncover the symmetries or connections that make it whole, which might not reveal itself at first.
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Sometimes I get the feeling that we're just a bunch of habits. The gestures we repeat over and over, they're just our need to be recognized. Without them, we'd be unidentifiable. We have to reinvent ourselves every minute.
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We move through the day like two hands of a clock: sometimes we overlap for a moment, then come apart again, carrying on alone. Everyday exactly the same: the tea, the burnt toast, the crumbs, the silence.
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Sometimes I forget that the world is not on the same schedule as I. That everything is not dying, or that if it is dying it will return to life, what with a little sun and the usual encouragement.
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David Grossman may be the most gifted writer I've ever read. [To the End of the Land is] powerful, shattering, and unflinching. To read it is to have yourself taken apart, undone, touched at the place of your own essence.
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The accolades, just like the scrapes and bruises, fade in the end, and all you're left with is your ambition.
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I'm very interested in structure, how multiple stories are assembled in different ways that is what memory does as well.
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