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Then I turned the page and at the top it said THINGS I MISS ABOUT M and there was a list of 15 things, and the first was THE WAY HE HOLDS THINGS. I did not understand how you can miss the way somebody holds things.
Nicole Krauss
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Nicole Krauss
Age: 50
Born: 1974
Born: August 18
Author
Novelist
Writer
Manhattan borough
New York City
Way
Miss
Things
Turned
Pages
Missing
Somebody
Holds
Understand
List
Firsts
Lists
First
Page
More quotes by Nicole Krauss
I smiled back, the importance of manners, my mother always said, is inversely related to how inclined one is to use them, or, in other words, sometimes politeness is all that stands between oneself and madness.
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To walk into a modern-day bookstore is a little bit like studying a single photograph out of the infinite number of photographs that cold be taken of the world: It offers the reader a frame.
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He died alone because he was too embarrassed to phone anyone.
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Empty teacups gathered around her and dictionary pages fell at her feet.
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. . . she gave him one of those broad smiles she reserved for strangers, as if she were aware of being able to pass, in their eyes, for an ordinary woman.
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there are two types of people in the world: those who prefer to be sad among others, and those who prefer to be sad alone.
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I walked down my snow covered street. Out of habit I turned and checked for my footsteps. When I arrived at my building I looked for my name on the buzzers. And because I know that sometimes I see things that aren't there, after dinner I called Information to ask if I was listed.(25)
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The fact that you got a little happier today doesn't change the fact that you also became a little sadder. Every day you become a little more of both, which means that right now, at this exact moment, you're the happiest and saddest you've ever been in your whole life.
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I am always coming up with architectural metaphors when I think about writing. But I think one of the things that draw us to literature is that it gives us this very attractive illusion that there is meaning in the world - things connect.
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When you're younger, it's all theoretical. It's all potential. As you get older, it becomes actual, and your life gets filled with unexpected complexity some of it asked for, and some of it not. It becomes richer, I find.
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For me, the most powerful way to write about something is through the absence of it. Rather than writing about what it was to become a new mother, I wrote, for example, a father facing death and addressing his estranged son about the regrets of his relationship.
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I've reached the age where bruises are formed from failures within rather than accidents without.
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Later - when things happened that they could never have imagined - she wrote him a letter that said: When will you learn that there isn't a word for everything
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In one's youth, one has tremendous access to one's feelings. And as one gets older, some of those feelings kind of drift away. But so much more happens to you. There's more at stake in life.
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Part of the work of writing a novel is to uncover the symmetries or connections that make it whole, which might not reveal itself at first.
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. . . I would have let him go one finger at a time, until, without his realizing, he'd be floating without me. And then I thought, perhaps that is what it means to be a [parent] - to teach your child to live without you.
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Don’t you see?” I said. “He could change every detail, but he couldn’t change her.” “But why?” His obtuseness frustrated me. “Because he was in love with her!” I said. “Because, to him, she was the only thing that was real.
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She struggled with her sadness, but tried to conceal it, to divide it into smaller and smaller parts and scatter these in places she thought no one would find them.
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Sometimes I thought about nothing and sometimes I thought about my life. At least I made a living. What kind of living? A living. It wasn't easy. I found out how little is unbearable.
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Wittgenstein once wrote that when the eye sees something beautiful, the hand wants to draw it. I wish I could draw you.
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