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We search for patterns, you see, only to find where the patterns break. And it’s there, in that fissure, that we pitch our tents and wait.
Nicole Krauss
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Nicole Krauss
Age: 50
Born: 1974
Born: August 18
Author
Novelist
Writer
Manhattan borough
New York City
Patterns
Wait
Break
Waiting
Find
Fissure
Tents
Pitch
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More quotes by Nicole Krauss
Holding hands, for example, is a way to remember how it feels to say nothing together.
Nicole Krauss
there are two types of people in the world: those who prefer to be sad among others, and those who prefer to be sad alone.
Nicole Krauss
. . . she gave him one of those broad smiles she reserved for strangers, as if she were aware of being able to pass, in their eyes, for an ordinary woman.
Nicole Krauss
Sometimes I get the feeling that we're just a bunch of habits. The gestures we repeat over and over, they're just our need to be recognized. Without them, we'd be unidentifiable. We have to reinvent ourselves every minute.
Nicole Krauss
She struggled with her sadness, but tried to conceal it, to divide it into smaller and smaller parts and scatter these in places she thought no one would find them.
Nicole Krauss
There is a fallacy that the powerful emotion of youth mellows with time. Not true. One learns to control and suppress it. But it doesn't lessen. It simply hides and concentrates itself in more discreet places. When one accidentally stumbles into one of these abysses, the pain is spectacular.
Nicole Krauss
One is always changing. I don't want to write the same book and I couldn't, because I'm a different person.
Nicole Krauss
The moment had passed, the door between the lives we could have led and the lives we led had shut in our faces.
Nicole Krauss
...larger than life...I've never understood that expression. What's larger than life?
Nicole Krauss
In one's youth, one has tremendous access to one's feelings. And as one gets older, some of those feelings kind of drift away. But so much more happens to you. There's more at stake in life.
Nicole Krauss
I'm very interested in structure, how multiple stories are assembled in different ways that is what memory does as well.
Nicole Krauss
We met each other when we were young, before we knew enough about disappointment, and once we did we found we reminded each other of it.
Nicole Krauss
Don’t you see?” I said. “He could change every detail, but he couldn’t change her.” “But why?” His obtuseness frustrated me. “Because he was in love with her!” I said. “Because, to him, she was the only thing that was real.
Nicole Krauss
I walked down my snow covered street. Out of habit I turned and checked for my footsteps. When I arrived at my building I looked for my name on the buzzers. And because I know that sometimes I see things that aren't there, after dinner I called Information to ask if I was listed.(25)
Nicole Krauss
The book Forest Dark wants to provoke questions about what is reality and why are we so given to believe that reality is firm and unbendable. There's a whole host of questions that the book is asking about that. Why do we believe that the world is only one way and as we see it? Why are we not open to the ways in which it might be otherwise.
Nicole Krauss
Our kiss was niticlimactic. It wasn't that the kiss was bad, but it was just a note of punctuation in our long conversation, a parenthetical remark made in order to assure each other of a deeply felt agreement, a mutual offer of companionship, which is so much more rare than sexual passion or even love.
Nicole Krauss
I feel really strongly about not wanting to overly guide the reader about what he or she should think. I really trust the reader to know for themselves and not to need too much. You have your own imagination, your own experiences, your own feelings, and a novel wants ultimately to ask questions. It doesn't assert anything, or shouldn't, I think.
Nicole Krauss
To walk into a modern-day bookstore is a little bit like studying a single photograph out of the infinite number of photographs that cold be taken of the world: It offers the reader a frame.
Nicole Krauss
That powers my desire to write: the sense of how quickly everything on the surface of life can be cut away and you can suddenly be inside the most inner part of the most inner life of a person. What does it feel like there, and what are the regrets and sensations and longings, and what is the music of it?
Nicole Krauss
We move through the day like two hands of a clock: sometimes we overlap for a moment, then come apart again, carrying on alone. Everyday exactly the same: the tea, the burnt toast, the crumbs, the silence.
Nicole Krauss