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ONE THING I AM NEVER GOING TO DO WHEN I GROW UP Is fall in love, drop out of college, learn to subsist on water and air, have a species named after me, and ruin my life.

Nicole Krauss

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Nicole Krauss
Age: 50
Born: 1974
Born: August 18
Author
Novelist
Writer
Manhattan borough
New York City
Love
Grow
Subsist
Life
Grows
Named
Water
Ruin
Learn
Ruins
Fall
Drop
Thing
Species
Going
Air
Never
College

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. . . she gave him one of those broad smiles she reserved for strangers, as if she were aware of being able to pass, in their eyes, for an ordinary woman.
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The accolades, just like the scrapes and bruises, fade in the end, and all you're left with is your ambition.
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The book Forest Dark wants to provoke questions about what is reality and why are we so given to believe that reality is firm and unbendable. There's a whole host of questions that the book is asking about that. Why do we believe that the world is only one way and as we see it? Why are we not open to the ways in which it might be otherwise.
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At night the sky is pure astronomy.
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When I got older I decided I wanted to be a real writer. I tried to write about real things. I wanted to describe the world, because to live in an undescribed world was too lonely.
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... as a rule of thumb, whenever there appears a plural, correct for a singular. Should I ever let slip a royal WE, put me out of my misery with a swift blow to the head.
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Every year, the memories I have of my father become more faint, unclear, and distant. once they were vivid and true, then they became like photographs, and now they are more like photographs of photographs.
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So many words get lost. They leave the mouthand lose their courage, wandering aimlessly until they are swept into the gutter like dead leaves. On rainy days you can hear their chorus rushing past.
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What is literature, really? Boiled down to a single sentence, I'd say it's this: an endless conversation about what it means to be human. And to read literature is to engage in that conversation.
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You can't imagine how hard I am on myself. Nothing pummels me like my own doubts, the feeling of how far I still have to go.
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I take almost no notes when I write. I have one notebook - this old green leather notebook that my dad gave me a decade ago.
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There's no match for the silence of GOD.
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If I had a camera,' I said, 'I'd take a picture of you every day. That way I'd remember how you looked every single day of your life.
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One is always changing. I don't want to write the same book and I couldn't, because I'm a different person.
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And so he did the hardest thing he’d ever done in his life: he picked up his hat and walked away.
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Part of the work of writing a novel is to uncover the symmetries or connections that make it whole, which might not reveal itself at first.
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Sometimes I thought about nothing and sometimes I thought about my life. At least I made a living. What kind of living? A living. It wasn't easy. I found out how little is unbearable.
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I feel really strongly about not wanting to overly guide the reader about what he or she should think. I really trust the reader to know for themselves and not to need too much. You have your own imagination, your own experiences, your own feelings, and a novel wants ultimately to ask questions. It doesn't assert anything, or shouldn't, I think.
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He spoke of human solitude, about the intrinsic loneliness of a sophisticated mind, one that is capable of reason and poetry but which grasps at straws when it comes to understanding another, a mind aware of the impossibility of absolute understanding. The difficulty of having a mind that understands that it will always be misunderstood.
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To hike out alone in the desert to sleep on the valley floor on a night with no moon, in the pitch black, just listening to the boom of silence: you can't imagine what that's like.
Nicole Krauss