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The vibe, it's that excitement. New York, you just can't describe it. You get a similar thing from Paris and London, but it's not New York.

Nicolas Winding Refn

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Nicolas Winding Refn
Age: 54
Born: 1970
Born: September 29
Film Director
Film Producer
Screenwriter
København
York
Thing
Vibe
Describe
Similar
Excitement
Paris
London

More quotes by Nicolas Winding Refn

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[The Neon Demon] was more my own fascination with beauty. It's my children's fascination beauty.
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I just think it was time [in THe Neon Demon]to do a film about women. But not just women, I wanted to do a movie about a teenage girl. It was a great counter to the masculinity of Drive.
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But once you get down to reality, there's no one to play her and there's no movie. It would be ridiculous.
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I sometimes play different kinds of music to see where the performers end up. I play one genre. Then something else when I do it again. It really helps.
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Good and bad, what's good and bad? I don't know.
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I always say I have a Danish passport, but I am a New Yorker at heart.
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Beauty is on one level pure surface, and on the other hand, it's the most complex subject that we can touch upon because it says everything about us as people. It's a subject we very quickly begin to argue about. I think that's so interesting.
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I always think once you have the lead protagonist, you cast around that character.
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I woke up one day and I realized I wasn't born beautiful, but my wife was, so I decided to make a horror film about it: what it would be like to be born beautiful.
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I like doing the promotional work. It's part of the film's process. Cannes was very wonderful to premiere.
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In the end, we're just showmen. But, I think that it's an important factor. Not to be anything else but clear about that - for me, creativity is an important part of our evolution. Art has probably done more good for the world than war. But they're equally powerful. They both create revolutions.
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The conversations about a film are an example of success because then you know whatever you've done has resonated.
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In a way Drive is probably the greatest superhero movie ever made.
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I certainly believe that creativity must be an experience. If I'm to steal time away from people, we should give them something to react to.
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I love watching the superhero movies and I would love to make one.
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You must understand that violence in a movie is only a tool. If it's used badly, it will be horrible. If it's used correctly, it can be very interesting. But, essentially, it's just a tool.
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Financing films that are demanding is a task, in itself. Because people are so afraid of taking any kind of chance, because they're afraid the audience isn't going to respond. But the audience is so hungry for anything that's a bit original, personal, or different.
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I just close my eyes and I fantasize what I would like to see.
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The first person I ever described the film [The Neon Demon] to was Christina Hendricks [who has a cameo in the movie]. We were having dinner in LA and she asked me what I wanted to do next and I said, I want to do a horror movie. And she goes, What's it going to be about? And I said, A lot of blood and high heels.
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I think when you make a movie, one of your main focuses as a director is to inspire everyone else to give their best. Like manipulation.
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