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The vibe, it's that excitement. New York, you just can't describe it. You get a similar thing from Paris and London, but it's not New York.

Nicolas Winding Refn

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Nicolas Winding Refn
Age: 54
Born: 1970
Born: September 29
Film Director
Film Producer
Screenwriter
København
Excitement
Paris
London
York
Thing
Vibe
Describe
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I feel that silence is the greatest word, ever. When you don't talk, people begin to read things into you or you become what they long for. When you don't talk, you almost become the mirror image of the other person.
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In a way Drive is probably the greatest superhero movie ever made.
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When you make something that everyone likes, it's very easy to say, Well, I'll just repeat that. Because that was easy. I have a formula. But creatively, it's not very interesting.
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In the end, we're just showmen. But, I think that it's an important factor. Not to be anything else but clear about that - for me, creativity is an important part of our evolution. Art has probably done more good for the world than war. But they're equally powerful. They both create revolutions.
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I've never really been on a date, because I've been with the same girl since my early twenties, but on our first date, I showed her The Texas Chain Saw Massacre. I was like, Hey, you've got to see this! And we've been together ever since.
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I sometimes play different kinds of music to see where the performers end up. I play one genre. Then something else when I do it again. It really helps.
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I certainly believe that creativity must be an experience. If I'm to steal time away from people, we should give them something to react to.
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I think that television has become really, really interesting, in terms of character development. You can have 13 hours to develop a character, as opposed to 25 minutes in a movie. That excites me.
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I don't know if power seduces less or more. I think power is a constant evolving mechanism that, since the dawn of time, on one level corrupts and on another level does not. But I think, no matter what, mutates.
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I just think it was time [in THe Neon Demon]to do a film about women. But not just women, I wanted to do a movie about a teenage girl. It was a great counter to the masculinity of Drive.
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I can't make a film that I don't feel comfortable with.
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[The Neon Demon] was more my own fascination with beauty. It's my children's fascination beauty.
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The idea of narcissism, essentially, is and will be accepted as a virtue.
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Doing your first film, it's very important that it's a commercial success, because that gives you a couple times to experiment until you have to hit the jackpot again.
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The conversations about a film are an example of success because then you know whatever you've done has resonated.
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I very much enjoy my freedom creatively but I also would love to make one of those big Hollywood films that costs a lot of money and has a lot of people running around with cell phones and all that insanity.
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The act of creation can be an extreme violent experience.
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I have not seen Batman v Superman, unfortunately. It hasn't been on the plane, as I've been flying a lot.
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Only God Forgives was very much a generation gap in a way. It was all the youth of the world that embraced it. I make films for young people. That's what I will continue to do.
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That's half of what we do our daily lives - we react to our surroundings. Of course, we have to make it entertaining, and we are entertainers.
Nicolas Winding Refn