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I think the idea was to make a horror film that became a science-fiction film with a lot of melodramatic tropes.

Nicolas Winding Refn

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Nicolas Winding Refn
Age: 54
Born: 1970
Born: September 29
Film Director
Film Producer
Screenwriter
København
Think
Horror
Thinking
Became
Fiction
Idea
Science
Film
Ideas
Melodramatic
Make
Tropes

More quotes by Nicolas Winding Refn

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I have not seen Batman v Superman, unfortunately. It hasn't been on the plane, as I've been flying a lot.
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For me, Amazon has stepped in and presented the future of entertainment. Obviously, the future of entertainment is going to be on the internet.
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I feel that silence is the greatest word, ever. When you don't talk, people begin to read things into you or you become what they long for. When you don't talk, you almost become the mirror image of the other person.
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In a way, art is a great way to release your love, fantasy, and desires. It's like a fetish. It's a comfortable way of excising a lot of your conscience.
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I think that's the struggle of our normality is that we have oppressed desires because of what is accepted and not accepted in society.
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I sometimes play different kinds of music to see where the performers end up. I play one genre. Then something else when I do it again. It really helps.
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My initial idea was I wanted to make it a horror film, very much. At times I do enter that world.
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I just think it was time [in THe Neon Demon]to do a film about women. But not just women, I wanted to do a movie about a teenage girl. It was a great counter to the masculinity of Drive.
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When you make something that everyone likes, it's very easy to say, Well, I'll just repeat that. Because that was easy. I have a formula. But creatively, it's not very interesting.
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The digital revolution is forever. They put importance on that option as well. With Amazon, you're getting the best of both worlds, with a whole new playing field.
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The act of creation can be an extreme violent experience.
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I think everybody's looking for religion to believe in. I think we all need faith.
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We live in a beauty-obsessed culture, which on one hand is absolutely fabulous, but on the flip side, is also dangerously extreme.
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The first person I ever described the film [The Neon Demon] to was Christina Hendricks [who has a cameo in the movie]. We were having dinner in LA and she asked me what I wanted to do next and I said, I want to do a horror movie. And she goes, What's it going to be about? And I said, A lot of blood and high heels.
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The vibe, it's that excitement. New York, you just can't describe it. You get a similar thing from Paris and London, but it's not New York.
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I am not a fan of improvisation, because it bores me. Working off a tight scenario gives you the confidence and ability to - why don't we change this a little bit and bring it back to the script. You always discover things while shooting.
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I like doing the promotional work. It's part of the film's process. Cannes was very wonderful to premiere.
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Understanding one's own power is more interesting than someone being given something powerful.
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Doing your first film, it's very important that it's a commercial success, because that gives you a couple times to experiment until you have to hit the jackpot again.
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There will always be a theatrical experience because there will always be cinemas no matter what. It's like there will always be theaters to have stage plays in.
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