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I think the idea was to make a horror film that became a science-fiction film with a lot of melodramatic tropes.

Nicolas Winding Refn

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Nicolas Winding Refn
Age: 54
Born: 1970
Born: September 29
Film Director
Film Producer
Screenwriter
København
Thinking
Became
Fiction
Idea
Science
Film
Ideas
Melodramatic
Make
Tropes
Think
Horror

More quotes by Nicolas Winding Refn

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When you make something that everyone likes, it's very easy to say, Well, I'll just repeat that. Because that was easy. I have a formula. But creatively, it's not very interesting.
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Understanding one's own power is more interesting than someone being given something powerful.
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Abbey Lee was a very famous model and had great success. She was very open about the negative aspects of that industry.
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I just close my eyes and I fantasize what I would like to see.
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In the end, we're just showmen. But, I think that it's an important factor. Not to be anything else but clear about that - for me, creativity is an important part of our evolution. Art has probably done more good for the world than war. But they're equally powerful. They both create revolutions.
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[The Neon Demon] was more my own fascination with beauty. It's my children's fascination beauty.
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The idea of narcissism, essentially, is and will be accepted as a virtue.
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We live in a beauty-obsessed culture, which on one hand is absolutely fabulous, but on the flip side, is also dangerously extreme.
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I just think it was time [in THe Neon Demon]to do a film about women. But not just women, I wanted to do a movie about a teenage girl. It was a great counter to the masculinity of Drive.
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I love watching the superhero movies and I would love to make one.
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I think that Danish people may be thought off as the happiest people, but honestly...I love America.
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I think that television has become really, really interesting, in terms of character development. You can have 13 hours to develop a character, as opposed to 25 minutes in a movie. That excites me.
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When we met, my agenda was Get Elle Fanning. I believe Elle's was Get the role. But we didn't know that.
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I don't know if power seduces less or more. I think power is a constant evolving mechanism that, since the dawn of time, on one level corrupts and on another level does not. But I think, no matter what, mutates.
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[Liv Corfixen] very much part of my life in that she's everything in my life and we found a way to use each other much more on a creative level as well. She was kind of the idea for this movie so I wanted to acknowledge that. She gave me the original idea to make the film.
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You must understand that violence in a movie is only a tool. If it's used badly, it will be horrible. If it's used correctly, it can be very interesting. But, essentially, it's just a tool.
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I always think once you have the lead protagonist, you cast around that character.
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I am not a fan of improvisation, because it bores me. Working off a tight scenario gives you the confidence and ability to - why don't we change this a little bit and bring it back to the script. You always discover things while shooting.
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The first person I ever described the film [The Neon Demon] to was Christina Hendricks [who has a cameo in the movie]. We were having dinner in LA and she asked me what I wanted to do next and I said, I want to do a horror movie. And she goes, What's it going to be about? And I said, A lot of blood and high heels.
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If an actor or actress is recognizable, that changes our perception of them.
Nicolas Winding Refn