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We live in a beauty-obsessed culture, which on one hand is absolutely fabulous, but on the flip side, is also dangerously extreme.
Nicolas Winding Refn
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Nicolas Winding Refn
Age: 54
Born: 1970
Born: September 29
Film Director
Film Producer
Screenwriter
København
Side
Dangerously
Sides
Flip
Hand
Fabulous
Beauty
Extreme
Culture
Extremes
Hands
Obsessed
Also
Live
Absolutely
More quotes by Nicolas Winding Refn
I have not seen Batman v Superman, unfortunately. It hasn't been on the plane, as I've been flying a lot.
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I grew up in the '80s and John Hughes was the filmmaker making serious movies for teenagers.
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How can creativity be bad? You can have, I liked it or I didn't like it, but, in the end, it's an individual experience. How can you even begin to define that? I find that sometimes extremely arrogant and counter-productive.
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I also believe on a practical level, if you're taking time away from people, besides entertaining them, I think it's important that there's something to react to.
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The kind of group mentality that we had lived under since the Second World War is starting to erupt, and the craving for individualism is now much stronger. It's not as taboo anymore, as it was when I was younger.
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I think that Danish people may be thought off as the happiest people, but honestly...I love America.
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I feel Amazon is really bringing films into the future. So for me it was the best of both worlds.
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The idea of narcissism, essentially, is and will be accepted as a virtue.
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I certainly believe that creativity must be an experience. If I'm to steal time away from people, we should give them something to react to.
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Understanding one's own power is more interesting than someone being given something powerful.
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I never desired to really go to Hollywood and make films, and purely because I want my entire control, which I'm used to having.
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Only God Forgives was very much a generation gap in a way. It was all the youth of the world that embraced it. I make films for young people. That's what I will continue to do.
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I think that I am a pornographer, meaning that I make movies based on what excites me and what I would like to see.
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Good and bad, what's good and bad? I don't know.
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I think that's the struggle of our normality is that we have oppressed desires because of what is accepted and not accepted in society.
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Financing films that are demanding is a task, in itself. Because people are so afraid of taking any kind of chance, because they're afraid the audience isn't going to respond. But the audience is so hungry for anything that's a bit original, personal, or different.
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I've never really been on a date, because I've been with the same girl since my early twenties, but on our first date, I showed her The Texas Chain Saw Massacre. I was like, Hey, you've got to see this! And we've been together ever since.
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The artificial world that we create through images will essentially become real.
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The first person I ever described the film [The Neon Demon] to was Christina Hendricks [who has a cameo in the movie]. We were having dinner in LA and she asked me what I wanted to do next and I said, I want to do a horror movie. And she goes, What's it going to be about? And I said, A lot of blood and high heels.
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I always say I have a Danish passport, but I am a New Yorker at heart.
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