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I don't know if power seduces less or more. I think power is a constant evolving mechanism that, since the dawn of time, on one level corrupts and on another level does not. But I think, no matter what, mutates.

Nicolas Winding Refn

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Nicolas Winding Refn
Age: 54
Born: 1970
Born: September 29
Film Director
Film Producer
Screenwriter
København
Another
Mechanism
Power
Evolve
Doe
Dawn
Matter
Constant
Time
Level
Seduces
Think
Levels
Corrupts
Thinking
Since
Seducing
Less
Evolving

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Abbey Lee was a very famous model and had great success. She was very open about the negative aspects of that industry.
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The kind of group mentality that we had lived under since the Second World War is starting to erupt, and the craving for individualism is now much stronger. It's not as taboo anymore, as it was when I was younger.
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I can't make a film that I don't feel comfortable with.
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I've been trying to get away from physical violence it's too easy it doesn't satisfy me artistically to work with it. Dramatic violence is much more interesting, but it's much more difficult.
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When we met, my agenda was Get Elle Fanning. I believe Elle's was Get the role. But we didn't know that.
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I woke up one day and I realized I wasn't born beautiful, but my wife was, so I decided to make a horror film about it: what it would be like to be born beautiful.
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I think that's the struggle of our normality is that we have oppressed desires because of what is accepted and not accepted in society.
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Understanding one's own power is more interesting than someone being given something powerful.
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I love films, I love movies, I love television, I love television series, I love the internet, I love anything that enhances images. But most of all, I love, love movies.
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I think the idea was to make a horror film that became a science-fiction film with a lot of melodramatic tropes.
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I think that television has become really, really interesting, in terms of character development. You can have 13 hours to develop a character, as opposed to 25 minutes in a movie. That excites me.
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We live in a beauty-obsessed culture, which on one hand is absolutely fabulous, but on the flip side, is also dangerously extreme.
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In a way, art is a great way to release your love, fantasy, and desires. It's like a fetish. It's a comfortable way of excising a lot of your conscience.
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[The Neon Demon] was more my own fascination with beauty. It's my children's fascination beauty.
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You ask actors what they would like to do, and you constantly keep them engaged. You want their engagement, input, and sensibilities. It's that intimate collaboration that is actually directing. I don't like the mechanicalness or coldness I like the intimacy. It's like we are creating a child together.
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I was in Hollywood. It's the mythology heart. It's where all the European films came in the '30s and '40s. The marriage between Europe and Hollywood has always been the best when it works.
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The act of creation can be an extreme violent experience.
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When you make something that everyone likes, it's very easy to say, Well, I'll just repeat that. Because that was easy. I have a formula. But creatively, it's not very interesting.
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I don't do drugs, and so music very much gets me going. When I do something, I think, If it was a piece of music, what would it be?
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The digital revolution is forever. They put importance on that option as well. With Amazon, you're getting the best of both worlds, with a whole new playing field.
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