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But once you get down to reality, there's no one to play her and there's no movie. It would be ridiculous.

Nicolas Winding Refn

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Nicolas Winding Refn
Age: 54
Born: 1970
Born: September 29
Film Director
Film Producer
Screenwriter
København
Ridiculous
Movie
Reality
Play
Would

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Doing your first film, it's very important that it's a commercial success, because that gives you a couple times to experiment until you have to hit the jackpot again.
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The kind of group mentality that we had lived under since the Second World War is starting to erupt, and the craving for individualism is now much stronger. It's not as taboo anymore, as it was when I was younger.
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I woke up one day and I realized I wasn't born beautiful, but my wife was, so I decided to make a horror film about it: what it would be like to be born beautiful.
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I feel Amazon is really bringing films into the future. So for me it was the best of both worlds.
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The artificial world that we create through images will essentially become real.
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[The Neon Demon] was more my own fascination with beauty. It's my children's fascination beauty.
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I certainly believe that creativity must be an experience. If I'm to steal time away from people, we should give them something to react to.
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Only God Forgives was very much a generation gap in a way. It was all the youth of the world that embraced it. I make films for young people. That's what I will continue to do.
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I don't drive because I failed eight times and never got my license.
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I don't know if power seduces less or more. I think power is a constant evolving mechanism that, since the dawn of time, on one level corrupts and on another level does not. But I think, no matter what, mutates.
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I don't do drugs, and so music very much gets me going. When I do something, I think, If it was a piece of music, what would it be?
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In the end, we're just showmen. But, I think that it's an important factor. Not to be anything else but clear about that - for me, creativity is an important part of our evolution. Art has probably done more good for the world than war. But they're equally powerful. They both create revolutions.
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Sometimes I just play the theme from Arthur. It reminds me of my childhood in New York and I just love it.
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I can't make a film that I don't feel comfortable with.
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The vibe, it's that excitement. New York, you just can't describe it. You get a similar thing from Paris and London, but it's not New York.
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We live in a beauty-obsessed culture, which on one hand is absolutely fabulous, but on the flip side, is also dangerously extreme.
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That's half of what we do our daily lives - we react to our surroundings. Of course, we have to make it entertaining, and we are entertainers.
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In a way Drive is probably the greatest superhero movie ever made.
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The act of creation can be an extreme violent experience.
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I've done collaborations in all my movies, and I think it's part of what I enjoy about the process. This kind of intimacy that you create. Because it becomes very intimate.
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