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But once you get down to reality, there's no one to play her and there's no movie. It would be ridiculous.

Nicolas Winding Refn

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Nicolas Winding Refn
Age: 54
Born: 1970
Born: September 29
Film Director
Film Producer
Screenwriter
København
Ridiculous
Movie
Reality
Play
Would

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I sometimes play different kinds of music to see where the performers end up. I play one genre. Then something else when I do it again. It really helps.
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I don't drive because I failed eight times and never got my license.
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The digital revolution is forever. They put importance on that option as well. With Amazon, you're getting the best of both worlds, with a whole new playing field.
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I don't know if power seduces less or more. I think power is a constant evolving mechanism that, since the dawn of time, on one level corrupts and on another level does not. But I think, no matter what, mutates.
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I think everybody's looking for religion to believe in. I think we all need faith.
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My initial idea was I wanted to make it a horror film, very much. At times I do enter that world.
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We live in a beauty-obsessed culture, which on one hand is absolutely fabulous, but on the flip side, is also dangerously extreme.
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The future is not about what you do, it's about what you stand for.
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Understanding one's own power is more interesting than someone being given something powerful.
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I certainly believe that creativity must be an experience. If I'm to steal time away from people, we should give them something to react to.
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I just think it was time [in THe Neon Demon]to do a film about women. But not just women, I wanted to do a movie about a teenage girl. It was a great counter to the masculinity of Drive.
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Sometimes you can play against type, or you can just repeat what they've already done. It can be an obstacle it's a very fine line.
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How can creativity be bad? You can have, I liked it or I didn't like it, but, in the end, it's an individual experience. How can you even begin to define that? I find that sometimes extremely arrogant and counter-productive.
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You ask actors what they would like to do, and you constantly keep them engaged. You want their engagement, input, and sensibilities. It's that intimate collaboration that is actually directing. I don't like the mechanicalness or coldness I like the intimacy. It's like we are creating a child together.
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I feel Amazon is really bringing films into the future. So for me it was the best of both worlds.
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I love watching the superhero movies and I would love to make one.
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If an actor or actress is recognizable, that changes our perception of them.
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I was in Hollywood. It's the mythology heart. It's where all the European films came in the '30s and '40s. The marriage between Europe and Hollywood has always been the best when it works.
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You must understand that violence in a movie is only a tool. If it's used badly, it will be horrible. If it's used correctly, it can be very interesting. But, essentially, it's just a tool.
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I've never really been on a date, because I've been with the same girl since my early twenties, but on our first date, I showed her The Texas Chain Saw Massacre. I was like, Hey, you've got to see this! And we've been together ever since.
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