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I never desired to really go to Hollywood and make films, and purely because I want my entire control, which I'm used to having.

Nicolas Winding Refn

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Nicolas Winding Refn
Age: 54
Born: 1970
Born: September 29
Film Director
Film Producer
Screenwriter
København
Films
Hollywood
Control
Film
Used
Really
Desired
Make
Purely
Never
Entire

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Nowadays, teenagers are so fast and quick to see through any form of manipulation. Sitting down and just thinking of something is like watching really bad pornography.
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I always say I have a Danish passport, but I am a New Yorker at heart.
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Narcissism as a virtue is very futuristic. Narcissism as a quality is where I think things are heading.
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I think the idea was to make a horror film that became a science-fiction film with a lot of melodramatic tropes.
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I feel Amazon is really bringing films into the future. So for me it was the best of both worlds.
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[Liv Corfixen] very much part of my life in that she's everything in my life and we found a way to use each other much more on a creative level as well. She was kind of the idea for this movie so I wanted to acknowledge that. She gave me the original idea to make the film.
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The digital revolution is forever. They put importance on that option as well. With Amazon, you're getting the best of both worlds, with a whole new playing field.
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I like doing the promotional work. It's part of the film's process. Cannes was very wonderful to premiere.
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I think that experiencing through art is a wonderful way to expand the horizon and everything around it.
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It was a very comfortable and personal relationship [Cliff Martinez ].'The Neon Demon'is our third movie and the music has never been as important as for this movie.
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Good and bad, what's good and bad? I don't know.
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I feel that silence is the greatest word, ever. When you don't talk, people begin to read things into you or you become what they long for. When you don't talk, you almost become the mirror image of the other person.
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I've been trying to get away from physical violence it's too easy it doesn't satisfy me artistically to work with it. Dramatic violence is much more interesting, but it's much more difficult.
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The first person I ever described the film [The Neon Demon] to was Christina Hendricks [who has a cameo in the movie]. We were having dinner in LA and she asked me what I wanted to do next and I said, I want to do a horror movie. And she goes, What's it going to be about? And I said, A lot of blood and high heels.
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I think that's the struggle of our normality is that we have oppressed desires because of what is accepted and not accepted in society.
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Doing your first film, it's very important that it's a commercial success, because that gives you a couple times to experiment until you have to hit the jackpot again.
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We live in a beauty-obsessed culture, which on one hand is absolutely fabulous, but on the flip side, is also dangerously extreme.
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I just think it was time [in THe Neon Demon]to do a film about women. But not just women, I wanted to do a movie about a teenage girl. It was a great counter to the masculinity of Drive.
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The vibe, it's that excitement. New York, you just can't describe it. You get a similar thing from Paris and London, but it's not New York.
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I can't make a film that I don't feel comfortable with.
Nicolas Winding Refn