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You must understand that violence in a movie is only a tool. If it's used badly, it will be horrible. If it's used correctly, it can be very interesting. But, essentially, it's just a tool.
Nicolas Winding Refn
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Nicolas Winding Refn
Age: 54
Born: 1970
Born: September 29
Film Director
Film Producer
Screenwriter
København
Understand
Badly
Used
Tool
Must
Essentially
Horrible
Tools
Violence
Movie
Interesting
Correctly
More quotes by Nicolas Winding Refn
The kind of group mentality that we had lived under since the Second World War is starting to erupt, and the craving for individualism is now much stronger. It's not as taboo anymore, as it was when I was younger.
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Love comes from the strangest places.
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I certainly believe that creativity must be an experience. If I'm to steal time away from people, we should give them something to react to.
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I always think once you have the lead protagonist, you cast around that character.
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I just close my eyes and I fantasize what I would like to see.
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[Liv Corfixen] very much part of my life in that she's everything in my life and we found a way to use each other much more on a creative level as well. She was kind of the idea for this movie so I wanted to acknowledge that. She gave me the original idea to make the film.
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I think that experiencing through art is a wonderful way to expand the horizon and everything around it.
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Financing films that are demanding is a task, in itself. Because people are so afraid of taking any kind of chance, because they're afraid the audience isn't going to respond. But the audience is so hungry for anything that's a bit original, personal, or different.
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[The Neon Demon] was more my own fascination with beauty. It's my children's fascination beauty.
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Doing your first film, it's very important that it's a commercial success, because that gives you a couple times to experiment until you have to hit the jackpot again.
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I never desired to really go to Hollywood and make films, and purely because I want my entire control, which I'm used to having.
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If an actor or actress is recognizable, that changes our perception of them.
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I think the idea was to make a horror film that became a science-fiction film with a lot of melodramatic tropes.
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I was in Hollywood. It's the mythology heart. It's where all the European films came in the '30s and '40s. The marriage between Europe and Hollywood has always been the best when it works.
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