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You must understand that violence in a movie is only a tool. If it's used badly, it will be horrible. If it's used correctly, it can be very interesting. But, essentially, it's just a tool.

Nicolas Winding Refn

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Nicolas Winding Refn
Age: 54
Born: 1970
Born: September 29
Film Director
Film Producer
Screenwriter
København
Horrible
Tools
Violence
Movie
Interesting
Correctly
Understand
Badly
Used
Tool
Must
Essentially

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Beauty is on one level pure surface, and on the other hand, it's the most complex subject that we can touch upon because it says everything about us as people. It's a subject we very quickly begin to argue about. I think that's so interesting.
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Love comes from the strangest places.
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But once you get down to reality, there's no one to play her and there's no movie. It would be ridiculous.
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The kind of group mentality that we had lived under since the Second World War is starting to erupt, and the craving for individualism is now much stronger. It's not as taboo anymore, as it was when I was younger.
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I woke up one day and I realized I wasn't born beautiful, but my wife was, so I decided to make a horror film about it: what it would be like to be born beautiful.
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When you make something that everyone likes, it's very easy to say, Well, I'll just repeat that. Because that was easy. I have a formula. But creatively, it's not very interesting.
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The first person I ever described the film [The Neon Demon] to was Christina Hendricks [who has a cameo in the movie]. We were having dinner in LA and she asked me what I wanted to do next and I said, I want to do a horror movie. And she goes, What's it going to be about? And I said, A lot of blood and high heels.
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I think that I am a pornographer, meaning that I make movies based on what excites me and what I would like to see.
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I was in Hollywood. It's the mythology heart. It's where all the European films came in the '30s and '40s. The marriage between Europe and Hollywood has always been the best when it works.
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I love films, I love movies, I love television, I love television series, I love the internet, I love anything that enhances images. But most of all, I love, love movies.
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Only God Forgives was very much a generation gap in a way. It was all the youth of the world that embraced it. I make films for young people. That's what I will continue to do.
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I certainly believe that creativity must be an experience. If I'm to steal time away from people, we should give them something to react to.
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I am not a fan of improvisation, because it bores me. Working off a tight scenario gives you the confidence and ability to - why don't we change this a little bit and bring it back to the script. You always discover things while shooting.
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In a way, art is a great way to release your love, fantasy, and desires. It's like a fetish. It's a comfortable way of excising a lot of your conscience.
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I've been trying to get away from physical violence it's too easy it doesn't satisfy me artistically to work with it. Dramatic violence is much more interesting, but it's much more difficult.
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I think that television has become really, really interesting, in terms of character development. You can have 13 hours to develop a character, as opposed to 25 minutes in a movie. That excites me.
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Nowadays, teenagers are so fast and quick to see through any form of manipulation. Sitting down and just thinking of something is like watching really bad pornography.
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You ask actors what they would like to do, and you constantly keep them engaged. You want their engagement, input, and sensibilities. It's that intimate collaboration that is actually directing. I don't like the mechanicalness or coldness I like the intimacy. It's like we are creating a child together.
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I can't make a film that I don't feel comfortable with.
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The future is not about what you do, it's about what you stand for.
Nicolas Winding Refn