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I feel that silence is the greatest word, ever. When you don't talk, people begin to read things into you or you become what they long for. When you don't talk, you almost become the mirror image of the other person.
Nicolas Winding Refn
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Nicolas Winding Refn
Age: 54
Born: 1970
Born: September 29
Film Director
Film Producer
Screenwriter
København
Greatest
Ever
Almost
Feel
Feels
Talk
Mirror
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Word
Mirrors
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Read
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People
Become
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Silence
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[Liv Corfixen] very much part of my life in that she's everything in my life and we found a way to use each other much more on a creative level as well. She was kind of the idea for this movie so I wanted to acknowledge that. She gave me the original idea to make the film.
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That's half of what we do our daily lives - we react to our surroundings. Of course, we have to make it entertaining, and we are entertainers.
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I woke up one day and I realized I wasn't born beautiful, but my wife was, so I decided to make a horror film about it: what it would be like to be born beautiful.
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The vibe, it's that excitement. New York, you just can't describe it. You get a similar thing from Paris and London, but it's not New York.
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I very much enjoy my freedom creatively but I also would love to make one of those big Hollywood films that costs a lot of money and has a lot of people running around with cell phones and all that insanity.
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Only God Forgives was very much a generation gap in a way. It was all the youth of the world that embraced it. I make films for young people. That's what I will continue to do.
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I just think it was time [in THe Neon Demon]to do a film about women. But not just women, I wanted to do a movie about a teenage girl. It was a great counter to the masculinity of Drive.
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I think everybody's looking for religion to believe in. I think we all need faith.
Nicolas Winding Refn
The act of creation can be an extreme violent experience.
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I always think once you have the lead protagonist, you cast around that character.
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The artificial world that we create through images will essentially become real.
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