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Only God Forgives was very much a generation gap in a way. It was all the youth of the world that embraced it. I make films for young people. That's what I will continue to do.

Nicolas Winding Refn

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Nicolas Winding Refn
Age: 54
Born: 1970
Born: September 29
Film Director
Film Producer
Screenwriter
København
People
Youth
Generations
Forgives
Film
Embraced
Young
Gaps
Much
Forgiving
Way
Generation
Make
Continue
World
Films

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The conversations about a film are an example of success because then you know whatever you've done has resonated.
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I love films, I love movies, I love television, I love television series, I love the internet, I love anything that enhances images. But most of all, I love, love movies.
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I think that I am a pornographer, meaning that I make movies based on what excites me and what I would like to see.
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I think the idea was to make a horror film that became a science-fiction film with a lot of melodramatic tropes.
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Good and bad, what's good and bad? I don't know.
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When we met, my agenda was Get Elle Fanning. I believe Elle's was Get the role. But we didn't know that.
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I grew up in the '80s and John Hughes was the filmmaker making serious movies for teenagers.
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My initial idea was I wanted to make it a horror film, very much. At times I do enter that world.
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I feel Amazon is really bringing films into the future. So for me it was the best of both worlds.
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I certainly believe that creativity must be an experience. If I'm to steal time away from people, we should give them something to react to.
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Understanding one's own power is more interesting than someone being given something powerful.
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The artificial world that we create through images will essentially become real.
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I think when you make a movie, one of your main focuses as a director is to inspire everyone else to give their best. Like manipulation.
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That's half of what we do our daily lives - we react to our surroundings. Of course, we have to make it entertaining, and we are entertainers.
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I was in Hollywood. It's the mythology heart. It's where all the European films came in the '30s and '40s. The marriage between Europe and Hollywood has always been the best when it works.
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The vibe, it's that excitement. New York, you just can't describe it. You get a similar thing from Paris and London, but it's not New York.
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The idea of narcissism, essentially, is and will be accepted as a virtue.
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The kind of group mentality that we had lived under since the Second World War is starting to erupt, and the craving for individualism is now much stronger. It's not as taboo anymore, as it was when I was younger.
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We live in a beauty-obsessed culture, which on one hand is absolutely fabulous, but on the flip side, is also dangerously extreme.
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Nowadays, teenagers are so fast and quick to see through any form of manipulation. Sitting down and just thinking of something is like watching really bad pornography.
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