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I've been trying to get away from physical violence it's too easy it doesn't satisfy me artistically to work with it. Dramatic violence is much more interesting, but it's much more difficult.

Nicolas Winding Refn

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Nicolas Winding Refn
Age: 54
Born: 1970
Born: September 29
Film Director
Film Producer
Screenwriter
København
Easy
Away
Artistically
Doesn
Satisfy
Trying
Dramatic
Work
Physical
Much
Violence
Interesting
Difficult

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I was in Hollywood. It's the mythology heart. It's where all the European films came in the '30s and '40s. The marriage between Europe and Hollywood has always been the best when it works.
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Nowadays, teenagers are so fast and quick to see through any form of manipulation. Sitting down and just thinking of something is like watching really bad pornography.
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I woke up one day and I realized I wasn't born beautiful, but my wife was, so I decided to make a horror film about it: what it would be like to be born beautiful.
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The vibe, it's that excitement. New York, you just can't describe it. You get a similar thing from Paris and London, but it's not New York.
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I think when you make a movie, one of your main focuses as a director is to inspire everyone else to give their best. Like manipulation.
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Good and bad, what's good and bad? I don't know.
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I think that Danish people may be thought off as the happiest people, but honestly...I love America.
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There will always be a theatrical experience because there will always be cinemas no matter what. It's like there will always be theaters to have stage plays in.
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Understanding one's own power is more interesting than someone being given something powerful.
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I don't drive because I failed eight times and never got my license.
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I just think it was time [in THe Neon Demon]to do a film about women. But not just women, I wanted to do a movie about a teenage girl. It was a great counter to the masculinity of Drive.
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It was a very comfortable and personal relationship [Cliff Martinez ].'The Neon Demon'is our third movie and the music has never been as important as for this movie.
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Sometimes you can play against type, or you can just repeat what they've already done. It can be an obstacle it's a very fine line.
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I sometimes play different kinds of music to see where the performers end up. I play one genre. Then something else when I do it again. It really helps.
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I can't make a film that I don't feel comfortable with.
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The kind of group mentality that we had lived under since the Second World War is starting to erupt, and the craving for individualism is now much stronger. It's not as taboo anymore, as it was when I was younger.
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I think that's the struggle of our normality is that we have oppressed desires because of what is accepted and not accepted in society.
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You ask actors what they would like to do, and you constantly keep them engaged. You want their engagement, input, and sensibilities. It's that intimate collaboration that is actually directing. I don't like the mechanicalness or coldness I like the intimacy. It's like we are creating a child together.
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