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What makes God laugh is people who make plans.

Nicolas Roeg

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Nicolas Roeg
Age: 90 †
Born: 1928
Born: August 15
Died: 2018
Died: November 23
Cinematographer
Film Director
Television Director
St. John's Wood
Nicolas Jack Roeg
Laugh
Plans
Laughing
Makes
Make
People

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Youth is so exciting. It'll take over. I don't want to be swept away. I want to be with the taking-over people, right to the end.
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You make the movie through the cinematography - it sounds quite a simple idea, but it was like a huge revelation to me.
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Children's finger-painting came under the arts, but movies didn't.
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Years ago I had a house in Sussex, it was like Arcadia, with an old Victorian bridge, a pond and the Downs.
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Oscars are won with two or three shots only, because if it's really beautifully photographed, you don't really notice it until the astounding moment emphasizes it.
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I've always felt that, although Truffaut was greatly revered and admired, at the same time, in terms of film and how much he loved film, he was underestimated.
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Movies are not scripts - movies are films they're not books, they're not the theatre.
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In life, we all learn from everyone.
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Marketing is a very good thing, but it shouldn't control everything. It should be the tool, not that which dictates.
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Any change in form produces a fear of change, and that has accelerated. Marketing is the death of invention, because marketing deals with the familiar.
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Mirrors are the essence of movies.
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We're all influenced by everything unless we're locked in an empty room.
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In marketing, the familiar is everything.
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Some people are very lucky, and have the story in their heads. I've never storyboarded anything. I like the idea of chance. What makes God laugh is people who make plans.
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When a book is just a plot, you know, two men fight for the love of a woman in a wild frontier, I immediately ask, 'Why?'
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I've always admired the tradition of storytellers who sat in the public market and told their stories to gathered crowds. They'd start with a single premise and talk for hours - the notion of one story, ever-changing but never-ending.
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Too many films today feel formulaic and familiar. I prefer it when the familiar is made to feel strange.
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