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These so called Popcorn movies, or family movies, actually provide something quite beautiful and something quite necessary, which is a family bonding experience.

Nicolas Cage

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Nicolas Cage
Age: 60
Born: 1964
Born: January 7
Actor
Character Actor
Executive Producer
Film Actor
Film Director
Film Producer
Screenwriter
Television Presenter
Television Producer
Long Beach
California
Nicholas Kim Coppola
Cage
Nicholas
Called
Actually
Family
Bonding
Experience
Popcorn
Beautiful
Provide
Something
Necessary
Movies
Quite

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'Knowing' is one of those movies where you're going to get the spectacle, and you're going to have the entertainment in the grand science fiction tradition. But also, it will perhaps stimulate some discussion to help you sort out on your own where you might choose to go in terms of your own needs. Now, I say that without preaching.
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Every great story seems to begin with a snake.
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I have a love-hate relationship with New Orleans, which is the strongest sort of relationship. I've had some extraordinary, beautiful, poetic experiences in this city and I've had some terrible experiences in this city. I'm drawn to New Orleans, in many ways feel I grew up in New Orleans, even though I'm from the West.
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With my name in cement, I feel actualised. - On cementing his hand prints on Sunset Boulevard
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Peter Fonda is the reason I became a motorcyclist. I saw Easy Rider and I bought a motorcycle the next day, and I rode it all the way from LA to San Francisco.
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Everything we do impacts someone else's life.
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It's always exciting when you can go into a mode where you can be both spontaneous and choreographed. Sort of in control and out of control at the same time.
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One of the great bonuses of being a film actor is that I get to go to different places, meet inspiring people and learn different things. So all those details add up.
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Most of my favourite moments in film have been when I've had an opportunity to say something from scratch, something original, whether I jotted down a few lines or it came out in improvisation.
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Generally my instinct is to not do biographical movies. I want to build characters and not be locked into playing a part in history.
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My mother was a dancer, so I like to use the body as part of the instrument of acting.
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I don't want you to think that I'm up late reading a stack of Spider-Man comics and eating a tray of lemon cookies while sucking my thumb. I'm not doing that. But I am loyal to the influences of my childhood.
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All movies on some level can aspire to be more than just whatever the label is of the movie.
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Nobody can make a movie as exciting as Jerry Bruckheimer. When it's a Jerry Bruckheimer movie that it's going to have lots of chrome and gloss, it's going to be sexy, and it's going to be big and fun.
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If you get a chance, whenever you're traveling, do go to the local boutique comic book shop and don't buy your comics online 'cause those guys are going to go extinct, in a minute here, and we want to be able to have those experiences with our kids.
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I know what it's like to meet someone you admire and have them be a complete jerk.
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I happen to still like really dark, dramatic, fractured characters. They're the reason I got into movies.
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Disney has a great tradition of enchanting children and giving them something to behold.
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I'm one of those people that feels that Americans that shouldn't do Shakespeare... The rhythms of the English language and the mannerisms of the English speech seems to work effortlessly with William Shakespeare, but when Americans do it, something seems stuck.
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Shock is still fun. I won't ever shut the door on it.
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