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I always wanted to find a way to apply my acting in a big mad monster movie where I was transforming into this scary entity.

Nicolas Cage

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Nicolas Cage
Age: 60
Born: 1964
Born: January 7
Actor
Character Actor
Executive Producer
Film Actor
Film Director
Film Producer
Screenwriter
Television Presenter
Television Producer
Long Beach
California
Nicholas Kim Coppola
Cage
Nicholas
Acting
Transforming
Bigs
Monster
Find
Entity
Wanted
Apply
Way
Monsters
Always
Mad
Scary
Movie

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You can choose your family sometimes. You can choose people, it could be a teacher, it could be a professor, it could be someone you work with that actually genuinely cares about you and wants you to succeed.
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Actors, their greatest tool, their greatest resource is imagination. You can take things, power objects, you can recruit your dreams, you can access your memories and get there. So the idea is not to act but to just be.
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All movies on some level can aspire to be more than just whatever the label is of the movie.
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I do like to move and get physical in my movies.
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I have eclectic tastes in the movies I want to do.
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Nobody ever thinks clearly at the airport.
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One of the pluses of getting older is you set some limits.
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Disney has a great tradition of enchanting children and giving them something to behold.
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I love art, I love music. I can listen to Stockhausen and a very experimental, avant-garde approach, and I can listen to Beethoven and have a more classical, traditional approach. Why not be able to do that with film performance?
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Those who have the ability to take action have the responsibility to take action.
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I always see America as really belonging to the Native Americans. Even though I'm American, I still feel like a visitor in my own country.
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I like to work with young people, because young people haven’t had their dreams kicked out of them yet. Full of confidence, and imagination, and vision, and when they score that all gets empowered.
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I think that the best characters are the ones who both manage to be attractive and repulsive at the same time.
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I actually enjoy working with green screen, because I can imagine all that stuff happening, and I really cut my teeth on a movie I made called Adaptation where I had to imagine four-page dialogue scenes with my twin brother, who was nothing more than a tennis ball and a gas stand.
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I'm not a trained actor. I'm someone who is autodidactic and learned on my own.
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I'm always going to judge somebody on their work ethic, and whether or not they made me feel something, or whether or not I felt they did a good job. To me, it's important to try to block anything personal out and look at the performance, in any field.
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These so called Popcorn movies, or family movies, actually provide something quite beautiful and something quite necessary, which is a family bonding experience.
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I really think it's important that my beliefs don't impinge upon what you get from the movie. It's your opinion that matters and it's far more interesting than mine.
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When I won the Oscar, I made a point of actively going against that and doing adventure films like 'Con Air' and 'Gone in 60 Seconds,' not what would be expected.
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I invite the entire spectrum, shall we call it, of feeling. Because that is my greatest resource as a film actor. I need to be able to feel everything, which is why I refuse to go on any kind of medication. Not that I need to! But my point is, I wouldn't even explore that, because it would get in the way of my instrument.
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