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I always wanted to find a way to apply my acting in a big mad monster movie where I was transforming into this scary entity.
Nicolas Cage
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Nicolas Cage
Age: 60
Born: 1964
Born: January 7
Actor
Character Actor
Executive Producer
Film Actor
Film Director
Film Producer
Screenwriter
Television Presenter
Television Producer
Long Beach
California
Nicholas Kim Coppola
Cage
Nicholas
Acting
Transforming
Bigs
Monster
Find
Entity
Wanted
Apply
Way
Monsters
Always
Mad
Scary
Movie
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I bought a Yamaha-1 and I was doing 180 miles per hour home on the 405 and that's really, really crazy but I did it.
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For me, acting was a way of taking destructive energy and doing something productive with it, and in that way it was quite a life saver.
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Generally my instinct is to not do biographical movies. I want to build characters and not be locked into playing a part in history.
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One of the things that's interesting to me is I find things like caffeine and stunts actually relax me. When they're putting a bit of gel on my arm and lighting me on fire, or when I'm about to go into a high-speed car chase or rev a motorcycle up pretty fast, I find everything else around me slows down.
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Nobody ever thinks clearly at the airport.
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I don't want to sit around by the pool luxuriating with a margarita. That's just not what I want to do.
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I think I've spent more time in front of a camera than off camera. That's just the way it is.
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Nobody can make a movie as exciting as Jerry Bruckheimer. When it's a Jerry Bruckheimer movie that it's going to have lots of chrome and gloss, it's going to be sexy, and it's going to be big and fun.
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I have a love/ hate relationship with the city of New Orleans, which is the strongest kind of relationship.
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I went to New Orleans for the first time for Wild at Heart, and I kept going back to make more movies there. I've become very close to the city and part of me does feel like a New Orleanian.
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I will promise you that if I can give you two good scenes -- which is what I always try to do in every movie -- then I feel like I'm doing my job.
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I actually enjoy working with green screen, because I can imagine all that stuff happening, and I really cut my teeth on a movie I made called Adaptation where I had to imagine four-page dialogue scenes with my twin brother, who was nothing more than a tennis ball and a gas stand.
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I invite the entire spectrum, shall we call it, of feeling. Because that is my greatest resource as a film actor. I need to be able to feel everything, which is why I refuse to go on any kind of medication. Not that I need to! But my point is, I wouldn't even explore that, because it would get in the way of my instrument.
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Disney has a great tradition of enchanting children and giving them something to behold.
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I've always had a soft spot for comic books.
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I always say to myself that if I can make a movie that makes a kid smile or gives them some hope or something to get excited about, then I'm applying myself in the best way that I can. I don't think that just goes for kids. I think that it goes for adults, as well, and for families.
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Don't lose the best thing in your life just because you are not sure.
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You often feel like you are on a high wire with no net productions because you have to rely on spontaneity and come up with ideas on the spur of the moment - and then what happens is that there is electricity to it that gets caught.
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I've been lucky to work with some of the most creative people and it's true that I enjoy filmmaking and I'm an enthusiast.
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I've always had a soft spot for comic books. I learned to read from them. The words in them were so interesting.
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