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I always call performing live giving the people the medicine, because when you're engaged in it, you can feel the sort of soul magic being exchanged between the performer and the audience.

Nick Offerman

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Nick Offerman
Age: 54
Born: 1970
Born: June 26
Actor
Carpenter
Film Actor
Film Producer
Screenwriter
Stage Actor
Television Actor
Voice Actor
Joliet
Illinois
Nicholas Offerman
Nicholas David Offerman
Feel
Engaged
Feels
Medicine
Magic
Giving
Sort
Always
Audience
Exchanged
People
Call
Performer
Soul
Performers
Live
Performing

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Doing voice work is more like recording music that people are going to listen to. You're creating an oral experience using whatever bells and whistles you have in your voice, and you can shut your eyes and use your imagination and nobody's going to see if the faces you make don't match the voices you make. That's a lot of fun.
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The ultimate disguise is nothing. Nudity.
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Figure out what you love to do, then figure out how to get paid to do it.
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I would like Americans to make things with their hands. Thomas Jefferson and I feel that makes for a much stronger nation.
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One of the most poignant pieces of recent science fiction for me was the portrayal of the adults in the Pixar film WALL-E. I feel like we're on the cusp of becoming fat babies in floating chairs being fed everything in shake form, and I feel like I am as prone to laziness as anybody.
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I always call myself a student of the guitar.
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When I use weed creatively, I'm much better at drawing or making something or playing music. But what I do for a living is mostly performing as an actor or writing, and for those things I need to have my faculties sharp.
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I've split my life between a few different disciplines.
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My wife happens to be probably the greatest working woman in comedy. I can't think of anyone who even approaches her achievements and her abilities.
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I've had to learn and discipline myself that I'm much happier and much less depressed if I give myself a project. It's just that simple.
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My uncles, who are farmers in Minooka, Illinois - I grew up with them and their pickup trucks and mustaches, and to me that was masculinity: big hairy sweaty guys who could pick up a bus.
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I made an executive decision in college when I learned how behind I was in the world of books, films, and music because of my rural upbringing. I really reduced the amount of time that sports took up in my life.I still have some Faulkner to get through.
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You know, even working actors can end up having a lot of spare time. And you can either go sit at the Starbucks and wait for your agent to call you, or you can go learn how to build a Shaker blanket chest with hand-cut dovetails.
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I've never seen a theater community to rival that of Chicago. Neither New York nor L.A. has the raw talent or integrity that Chicago theater has, and I think it's because Chicago doesn't have Broadway or the film and TV business to distract it.
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I also grew up building theatrical scenery. I spent many years building scenery as a large part of my income and that allowed me to really develop my shop skills.
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I think what makes so many other actors miserable is focusing completely on making other plans. They're obsessed with their haircut and their headshot and their agent, their IMDB profile or whatever.
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People keep referring to me as a standup, and that just doesn't sit well with me because a lot of my friends are standups and they're brilliant at writing jokes, and I'm not.
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I first read Wendell Berry's short-story collections, Fidelity and then Watch with Me. They just knocked my socks off. The characters and the fellowship of the small town reminded me of my own small town in Illinois.Then I discovered that, much like J.R.R. Tolkien and C.S. Lewis, that all of Berry's fiction was centered in this same town.
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I am always so happy to be at 'SNL.' I still feel like a kid when I'm there, like I can't believe I'm watching them make the show.
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