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The thing that's the biggest bummer about any live show is a hot, sober room. So if it's during the day and people are a little buzzed, great.

Nick Kroll

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Nick Kroll
Age: 46
Born: 1978
Born: June 5
Actor
Comedian
Dancer
Film Actor
Film Director
Film Producer
Screenwriter
Singer
Stand-Up Comedian
Television Actor
Television Producer
New York City
New York
Nicholas Kroll
Nicholas J. Kroll
Nick J. Kroll
Show
Shows
Littles
Bummer
Live
Sober
Little
Hot
Great
Biggest
Thing
Room
People
Rooms

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The immediacy of public interaction is just unbeatable.
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Everybody gets better looking on TV as shows go on.Even the nerds on Big Bang Theory are getting better looking. Their clothes are getting nicer. They're better groomed. It works for them.
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I was going to have Brian La Croix do a cameo on Degrassi. But, unfortunately, the scheduling didn't work out. When I was in Toronto, they weren't shooting. To me, that would've been a pretty crazy meta experience.
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The more you're able to understand how to do a good dramatic performance, that can inform your comedy. It all informs one another. And it keeps everything interesting.
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For me, I was literally trying to stay afloat. I never actually thought I would get my own sketch show. So the idea that one day I would have my own show is pretty wild. But once I got it, I thought, 'Yeah, this is exactly what I always wanted to do.
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I've decided to just keep doing Oh, Hello, where I play an older man who thinks he's very cultured. That clearly has not gone away.
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Mel Brooks came to see Oh, Hello in L.A. Mulaney and I had a meeting with him, and we invited him to come to the show, and he saw the Oh, Hello show live in L.A. To me, he's the most famous person. Having him come to our show that was so inspired by both of us loving The Producers and all his movies.
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My first concert isn't that cool or ironic. I wish it had been like, My first concert was the Backstreet Boys, but the first concert I went to, I think, was this band called The Samples.
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Whether it's corporate investigations or comedy, there are certain inherent truths to trying to get what you want while trying to be a decent person doing it.
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In New York, you are forced into having very public lives and observing all types of people, what they sound like, what they're reading, what they smell like, what they are listening to, how they talk to their friends.
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I think my goal was just to do comedy, honestly. It still is. Whatever form that took or takes, it doesn't matter.
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I have what I guess is medically known as a farting problem.
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I think Trump thinks of himself as pretty important, and now rightfully so - because he's the President of the United States. You gotta dream big, and we're all so proud of what the Donald has been able to accomplish... following through on his dreams of taking fast food dumps on a plane.
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Seinfeld has his way of telling jokes - and I'm not comparing myself to Seinfeld, his genius is observing the small details of everyday life and finding humor in it.
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I feel like we have so many different ways to express ourselves now, and I relish, I feel very lucky to be doing comedy.
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In general in comedy, there are fewer people making a ton of money and a lot more people making a living. For me, the goal is just being able to make exactly the show I wanted to make.
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My first job. I got fired from this MTV prank show, or I didn't make the cut of what ended up being, as we all know, Boiling Points. It was my first professional job and I was bragging.
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I was, like, a history major, and I minored in art and Spanish, but I found myself gravitating toward media studies as time went on.
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You think you're going to be on TV a year out of college and you're not. Then you tell people and it's embarrassing. And then it's not a big deal at all.
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Really, more than anything, The 2000 Year Old Man is a huge influence on all of our comedy, but specifically the live version of Oh, Hello.
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