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I'm sure there are people who say like, I was wearing weird emo eyeliner, but there's something pretty embarrassing about the jazz phase.

Nick Kroll

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Nick Kroll
Age: 46
Born: 1978
Born: June 5
Actor
Comedian
Dancer
Film Actor
Film Director
Film Producer
Screenwriter
Singer
Stand-Up Comedian
Television Actor
Television Producer
New York City
New York
Nicholas Kroll
Nicholas J. Kroll
Nick J. Kroll
Jazz
Pretty
Emo
Sure
Eyeliner
Something
Phase
Like
Phases
People
Embarrassing
Wearing
Weird

More quotes by Nick Kroll

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The thing that's the biggest bummer about any live show is a hot, sober room. So if it's during the day and people are a little buzzed, great.
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Contrary to widespread belief, I do know something about science.
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My first concert isn't that cool or ironic. I wish it had been like, My first concert was the Backstreet Boys, but the first concert I went to, I think, was this band called The Samples.
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Everybody gets better looking on TV as shows go on.Even the nerds on Big Bang Theory are getting better looking. Their clothes are getting nicer. They're better groomed. It works for them.
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No doubt there are people who are our guests [ in Oh, Hello] who are more famous, but to me, Mel Brooks is the most famous person. So that was really cool.
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I guess there should be somewhere on the Internet that feels like a source of sacred truth. But Wikipedia sure isn't it.
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As long as it's not an easy, outdated stereotype and it comes from an interesting or emotionally driven place, then anyone can be made fun of.
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For me, I was literally trying to stay afloat. I never actually thought I would get my own sketch show. So the idea that one day I would have my own show is pretty wild. But once I got it, I thought, 'Yeah, this is exactly what I always wanted to do.
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There's nothing better for hosting a show than a bunch of people daytime-whiskey drunk.
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Whether it's corporate investigations or comedy, there are certain inherent truths to trying to get what you want while trying to be a decent person doing it.
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The more you're able to understand how to do a good dramatic performance, that can inform your comedy. It all informs one another. And it keeps everything interesting.
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I was going to have Brian La Croix do a cameo on Degrassi. But, unfortunately, the scheduling didn't work out. When I was in Toronto, they weren't shooting. To me, that would've been a pretty crazy meta experience.
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In L.A., you really are in your car all day alone, and there's very little public life.
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I feel like we have so many different ways to express ourselves now, and I relish, I feel very lucky to be doing comedy.
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Mel Brooks came to see Oh, Hello in L.A. Mulaney and I had a meeting with him, and we invited him to come to the show, and he saw the Oh, Hello show live in L.A. To me, he's the most famous person. Having him come to our show that was so inspired by both of us loving The Producers and all his movies.
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Seinfeld has his way of telling jokes - and I'm not comparing myself to Seinfeld, his genius is observing the small details of everyday life and finding humor in it.
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In general in comedy, there are fewer people making a ton of money and a lot more people making a living. For me, the goal is just being able to make exactly the show I wanted to make.
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I tend to play sort of douchey.
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In New York, you are forced into having very public lives and observing all types of people, what they sound like, what they're reading, what they smell like, what they are listening to, how they talk to their friends.
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Oftentimes the shows that don't work help you get it right.
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