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Whether it's corporate investigations or comedy, there are certain inherent truths to trying to get what you want while trying to be a decent person doing it.

Nick Kroll

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Nick Kroll
Age: 46
Born: 1978
Born: June 5
Actor
Comedian
Dancer
Film Actor
Film Director
Film Producer
Screenwriter
Singer
Stand-Up Comedian
Television Actor
Television Producer
New York City
New York
Nicholas Kroll
Nicholas J. Kroll
Nick J. Kroll
Decent
Comedy
Whether
Certain
Investigations
Persons
Investigation
Person
Inherent
Trying
Truths
Corporate

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There's nothing better for hosting a show than a bunch of people daytime-whiskey drunk.
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I've decided to just keep doing Oh, Hello, where I play an older man who thinks he's very cultured. That clearly has not gone away.
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My best friend, Andrew Goldberg - and this is genuinely not me trying to cross-promote, but this new Netflix show I'm doing called Big Mouth is about me and my best friend, Andrew Goldberg, from childhood - but there was a year when I went to his house after school every day and we watched Wayne's World and ate Doritos.
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As long as it's not an easy, outdated stereotype and it comes from an interesting or emotionally driven place, then anyone can be made fun of.
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I gave the graduation speech at my high school. Not because I was valedictorian but because the grade voted for me to do it. And I gave a slightly contentious speech. I was a little critical of the administration. But for a long time it said on Wikipedia that I took my balls out and exposed myself to the crowd.
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You get to have some bigger comedic moments with some very real dramatic stuff. All that in one makes for a fulfilling artistic job.
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I like an otter. I like a sea lion. I like a walrus. That's my favorite version of a sea creature.
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The more you're able to understand how to do a good dramatic performance, that can inform your comedy. It all informs one another. And it keeps everything interesting.
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My experience in TV is that it takes time for shows to find their way.
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For me, the goal wasn't to turn the stand-up special on its head, but to do what I do specifically, and hopefully that reads as something new.
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The immediacy of public interaction is just unbeatable.
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A comedian is sort of like a wild animal. It really just depends on where you catch them. Sometimes they want to cuddle up, and sometimes they'll snap at you. But for me, more often than not, if I'm talking to somebody who makes their living in comedy, it'll be a very thoughtful conversation driven from an emotionally honest place.
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Really, more than anything, The 2000 Year Old Man is a huge influence on all of our comedy, but specifically the live version of Oh, Hello.
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It was sort of in the jam-band era and it was at the Capitol Theatre in Port Chester [New York], right where I grew up. I actually went back there a couple years ago when I was on tour for Kroll Show. I performed at that theater, which was really cool to go back to the first place I'd gone to a concert.
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People want to consume what you're putting out there, and you can create a really strong following of fans and admirers, and people who are invested in your career and your comedy.
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Like most lazy upper-middle-class kids, American Studies seemed like a fun way to use your knowledge of TV to get an A.
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I have what I guess is medically known as a farting problem.
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Music was not a big deal to me when I was in middle school. And then I slowly became a big jazz fan. Even more than concerts, a lot of my high school time was spent going to jazz clubs in the city.
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My first concert isn't that cool or ironic. I wish it had been like, My first concert was the Backstreet Boys, but the first concert I went to, I think, was this band called The Samples.
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I think my goal was just to do comedy, honestly. It still is. Whatever form that took or takes, it doesn't matter.
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