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Whether it's corporate investigations or comedy, there are certain inherent truths to trying to get what you want while trying to be a decent person doing it.

Nick Kroll

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Nick Kroll
Age: 46
Born: 1978
Born: June 5
Actor
Comedian
Dancer
Film Actor
Film Director
Film Producer
Screenwriter
Singer
Stand-Up Comedian
Television Actor
Television Producer
New York City
New York
Nicholas Kroll
Nicholas J. Kroll
Nick J. Kroll
Certain
Investigations
Persons
Investigation
Person
Inherent
Trying
Truths
Corporate
Decent
Comedy
Whether

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A comedian is sort of like a wild animal. It really just depends on where you catch them. Sometimes they want to cuddle up, and sometimes they'll snap at you. But for me, more often than not, if I'm talking to somebody who makes their living in comedy, it'll be a very thoughtful conversation driven from an emotionally honest place.
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People want to consume what you're putting out there, and you can create a really strong following of fans and admirers, and people who are invested in your career and your comedy.
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A job is a job, and there are days that are going to be boring, or you have a boss you don't like, or people you work with.
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I guess there should be somewhere on the Internet that feels like a source of sacred truth. But Wikipedia sure isn't it.
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The immediacy of public interaction is just unbeatable.
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Everybody gets better looking on TV as shows go on.Even the nerds on Big Bang Theory are getting better looking. Their clothes are getting nicer. They're better groomed. It works for them.
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I was going to have Brian La Croix do a cameo on Degrassi. But, unfortunately, the scheduling didn't work out. When I was in Toronto, they weren't shooting. To me, that would've been a pretty crazy meta experience.
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Mel Brooks came to see Oh, Hello in L.A. Mulaney and I had a meeting with him, and we invited him to come to the show, and he saw the Oh, Hello show live in L.A. To me, he's the most famous person. Having him come to our show that was so inspired by both of us loving The Producers and all his movies.
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In general in comedy, there are fewer people making a ton of money and a lot more people making a living. For me, the goal is just being able to make exactly the show I wanted to make.
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The more you're able to understand how to do a good dramatic performance, that can inform your comedy. It all informs one another. And it keeps everything interesting.
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My thinking is, if we're setting out to make comedy in which nothing is off limits, then everybody is fair game.
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I feel like we have so many different ways to express ourselves now, and I relish, I feel very lucky to be doing comedy.
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Like most lazy upper-middle-class kids, American Studies seemed like a fun way to use your knowledge of TV to get an A.
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I would be psyched to get a phone call from Al Sharpton. I need to find out who does his hair. It's beautiful. It's a gorgeous mane.
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I gave the graduation speech at my high school. Not because I was valedictorian but because the grade voted for me to do it. And I gave a slightly contentious speech. I was a little critical of the administration. But for a long time it said on Wikipedia that I took my balls out and exposed myself to the crowd.
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My best friend, Andrew Goldberg - and this is genuinely not me trying to cross-promote, but this new Netflix show I'm doing called Big Mouth is about me and my best friend, Andrew Goldberg, from childhood - but there was a year when I went to his house after school every day and we watched Wayne's World and ate Doritos.
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Go ahead and make up a ton of lies about me. That's way more interesting than pretending Wikipedia has any real information.
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For me, I was literally trying to stay afloat. I never actually thought I would get my own sketch show. So the idea that one day I would have my own show is pretty wild. But once I got it, I thought, 'Yeah, this is exactly what I always wanted to do.
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I like an otter. I like a sea lion. I like a walrus. That's my favorite version of a sea creature.
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Oftentimes the shows that don't work help you get it right.
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