Quote

It's no wonder we're all such a mess, is it? We're like Tom Hanks in Big. Little boys and girls trapped in adult bodies and forced to get on with it.

Nick Hornby

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Nick Hornby
Age: 67
Born: 1957
Born: April 17
Essayist
Film Producer
Lyricist
Novelist
Screenwriter
Songwriter
Writer
Nicholas Peter John Hornby
Little
Adults
Like
Girls
Hanks
Boys
Toms
Wonder
Trapped
Bigs
Adult
Girl
Forced
Littles
Bodies
Body
Mess

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Where would David Copperfield be if Dickens had gone to writing classes? Probably about seventy minor characters short, is where. (Did you know that Dickens is estimated to have invented thirteen thousand characters? Thirteen thousand! The population of a small town!)
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When you get older, it feels like happy memories and sad memories are pretty much the same thing. It is all just emotion in the end. And any of it can make you weep.
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You don't ask people with knives in their stomachs what would make them happy happiness is no longer the point. It's all about survival it's all about whether you pull the knife out and bleed to death or keep it in.
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The plain state of being human is dramatic enough for anyone
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Asking the head I have now to explain its own thinking is as pointless as dialing your own telephone number on your own telephone: Either way, you get an engaged signal. Or your own answer message, if you have that kind of phone system.
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We were little animals, which is not to imply that by the end of the week we were tearing our tank tops off just that, metaphorically speaking, we had begun to sniff each other's bottoms, and we did not find the odor entirely repellent.
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You wouldn't believe that so much could change just because a relationship ended.
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The artistic temperament is particularly unhelpful if it is just that, with no end product.
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Maybe we all live life at too high a pitch, those of us who absorb emotional things all day, and as mere consequence we can never feel merely content: we have to be unhappy, or ecstatically, head-over-heels happy, and those states are difficult to achieve within a stable, solid relationship.
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Most people have a rope that ties them to someone, and that rope can be short or it can be long. (Be long. Belong. Get it?) You don't know how long, though. It's not your choice.
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It's not what you like but what you are like that's important.
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He'd told her it was just a scratch and got cross when she hadn't offered morphine.
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When it came down to it, he just wasn't that engaged. You had to be engaged to be a vegetarian you had to be engaged to sing Both Sides Now with your eyes closed when it came down to it, you had to be engaged to be a mother.
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contemporary poetry is a kind of Reykjavik, a place where accessibility and intelligence have been fighting a Cold War by proxy for the last half-century.
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Do you ever do that thing where you lie in bed and you can't sleep so you end up writing out recent conversation you've had? So they look like a play?' Well you should. It's fun. I keep them. Look through them, sometimes.
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You can wait forever for the muse to sit on your shoulder, but most of the time you know what has to be done and inspiration is not going to help you.
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Phone calls like ours only happen when you've spent several years hurting and being hurt, until every work you utter or hear becomes coded and loaded, as complicated and full of subtext as a bleak and brilliant play.
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I had forgotten that Jess felt about long words the way that racists feel about black people: She hated them, and wanted to send them back from where they came from.
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You had to live in your own bubble. You couldn't force your way into someone else's, because then it wouldn't be a bubble any more.
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I fell in love with football as I was later to fall in love with women: suddenly, inexplicably, uncritically, giving no thought to the pain or disruption it would bring with it.
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