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I don't like those songs where you have to listen to a story to get into them. I don't want to have to pay attention to music in that way, I just want it to hit me in the heart and do what music's supposed to do.
Nick Cave
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Nick Cave
Age: 67
Born: 1957
Born: September 22
Actor
Author
Composer
Film Director
Librettist
Musician
Novelist
Pianist
Screenwriter
Singer
Singer-Songwriter
Songwriter
Writer
Warracknabeal
Victoria
Australia
Nicholas Edward Cave
Song
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Music
Supposed
Heart
Songs
Way
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More quotes by Nick Cave
I'm unable to really write the kind of song that doesn't have a visual element, which most songs don't.
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Look, when I look back, from 20 onwards, I was actually having a pretty good time, I have to say.
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I don't feel I'm thrown around by the winds of taste and fashion.
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Getting married, for me, was the best thing I ever did. I was suddenly beset with an immense sense of release, that we have something more important than our separate selves, and that is the marriage. There's immense happiness that can come from working towards that.
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I've never been interested in being relevant.
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That's what we [outsiders] feel America is really about - the kind of crazed ravings of the Christian right - when it's probably something quite different.
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The society of whores stuck needles in an image of me.
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When I start to write a song, I initially fall into patterns and creative habits that are familiar, and because they're familiar, they sound convincing. It's important for me to not pursue those ideas, because I've already done them, but to find ideas that are different and feel strange to write and disconcerting to write.
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The idea of songwriting is a transformative thing, and what I do with songwriting is take situations that are quite ordinary and transform them in some way. Apart from things like the murder ballads, the songs I write, at their core, are quite ordinary human concerns, but the process of writing about them transforms them into something else.
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I see it as my duty in some way is to be out in the world as an Australian putting forward what I consider to be authentic Australian music.
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I want to write songs that are so sad, the kind of sad where you take someone's little finger and break it in three places.
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And she moves among the sparrows. And she floats upon the breeze. She moves among the flowers. She moves something deep inside of me
Nick Cave
The body becomes the carrier for the work. It's not really about the physical body it really becomes the apparatus that carries and moves the work. I don't really consider the body as much I look at it as a tool.
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You're one microscopic cog in his catastrophic plan.
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I think it's an essential fact for any performer or artist to fail as poignantly as they can succeed.
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Sometimes the song isn't strong enough to contain the fiction, because memories are fictions.
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Into the mercy seat I climb My head is shaved, my head is wired And like a moth that tries To enter the bright eye I go shuffling out of life Just to hide in death awhile And anyway I never lied.
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Love songs come in many guises and are seemingly written for many reasons – as declarations or to wound – I have written songs for all of these reasons – but ultimately the love songs exist to fill, with language, the silence between ourselves and God, to decrease the distance between the temporal and the divine.
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Most people wait for the muse to turn up. That's terribly unreliable. I have to sit down and pursue the muse by attempting to work.
Nick Cave
The writer who refuses to explore the darker regions of the heart will never be able to write convincingly about the wonder, the magic and the joy of love for just as goodness cannot be trusted unless it has breathed the same air as evil.
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