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I think I have always had a pretty strong creative impulse. And that has probably saved me from abandoning myself completely.
Nick Cave
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Nick Cave
Age: 67
Born: 1957
Born: September 22
Actor
Author
Composer
Film Director
Librettist
Musician
Novelist
Pianist
Screenwriter
Singer
Singer-Songwriter
Songwriter
Writer
Warracknabeal
Victoria
Australia
Nicholas Edward Cave
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Creative
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Abandoning
More quotes by Nick Cave
You're collaborating with people you don't even know, when you're making a film. You're collaborating with people you've never seen. So, the collaborative process is very, very different than when you're collaborating on a record with the musicians you've worked with all your life.
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All of our days are numbered. We cannot afford to be idle. To act on a bad idea is better than to not act at all, because the worth of an idea never becomes apparent until you do it.
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I've always been at war with the guitar. All vocalists are fighting a war with the electric rhythm guitar.
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People think I'm a miserable sod but it's only because I get asked such bloody miserable questions.
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What I want people to recognize is that we have to keep working together and take charge because we all have the same story.
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I see it as my duty in some way is to be out in the world as an Australian putting forward what I consider to be authentic Australian music.
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Said 2,000 years of Christian history, baby And you ain't learned to love me yet?
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I think it's an essential fact for any performer or artist to fail as poignantly as they can succeed.
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I've always worn suits. To me they're a very practical kind of thing to wear. You put one on and don't really have to think about what you're going to wear.
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If you're Australian, you feel it in your bones because you're at odds with everybody else, except other Australians, in the sense that people always seem to be behaving strangely. People always seem to be behaving the wrong way, in a different way. You say things and there are silences.
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Love songs come in many guises and are seemingly written for many reasons – as declarations or to wound – I have written songs for all of these reasons – but ultimately the love songs exist to fill, with language, the silence between ourselves and God, to decrease the distance between the temporal and the divine.
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I am not interested in anything that doesn't have a genuine heart to it. You've got to have soul in the hole. If that isn't there, I don't see the point.
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I don't believe in an interventionist God
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I lost my innocence with Johnny Cash. I used to watch the Johnny Cash Show on television in Wangaratta when I was about 9 or 10 years old. At that stage I had really no idea about rock'n'roll. I watched him and from that point I saw that music could be an evil thing, a beautiful, evil thing.
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A gentleman never talks about his tailor.
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As people buy less and less records, it's become more and more important for me to spend more and more on them - to lavish that much more attention on them. The Bad Seeds were always quite protective and old school, but Grinderman has opened us up to do anything and be shameless. We're not so precious about it.
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A is for Answering all your prayers, N is for kNowing that your loverman's going to be the answer.
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When I start writing songs, and they come easily, I'm always very suspicious. That usually means they're reminding me of something I've already done before. When the songs become unsettling, and I feel anxious about what I'm doing, that usually means it's going to be more interesting later on when we actually record the stuff.
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Sometimes the song isn't strong enough to contain the fiction, because memories are fictions.
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I don't feel I'm thrown around by the winds of taste and fashion.
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