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I think I have always had a pretty strong creative impulse. And that has probably saved me from abandoning myself completely.

Nick Cave

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Nick Cave
Age: 67
Born: 1957
Born: September 22
Actor
Author
Composer
Film Director
Librettist
Musician
Novelist
Pianist
Screenwriter
Singer
Singer-Songwriter
Songwriter
Writer
Warracknabeal
Victoria
Australia
Nicholas Edward Cave
Probably
Creative
Strong
Always
Abandoning
Think
Impulse
Thinking
Saved
Completely
Pretty

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I've always hated narrative songs. I hate those songs where, basically, it's an unfolding of a story.
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I don't particularly believe all love is doomed. But I guess, one is usually kinda suffering from some aborted love affair or association, rather than being at the peak of one. I think it's fairly obvious that a lot more suffering goes on in the name of love than the little happiness you can squeeze out of it.
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I've spent my life butting my head against other people's lack of imagination.
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I'm an Australian, and when I grew up much of my influences were American - blues music and country music, all that sort of thing.
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The older I get, the more I feel those kinds of ghosts - especially the women in my life - moving out of the shadows a bit more and becoming more present in my life.
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I’ve never intended to make religious records or records that preach some kind of point of view... If you’re involved with imagination and the creative process, it’s not such a difficult thing to believe in a god. But I’m not involved in any religions.
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When I start writing songs, and they come easily, I'm always very suspicious. That usually means they're reminding me of something I've already done before. When the songs become unsettling, and I feel anxious about what I'm doing, that usually means it's going to be more interesting later on when we actually record the stuff.
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When I’m singing “Deanna,” for example, which I sing pretty much every night, it brings forward a kind of imagined, romanticized lie about this particular person, which I find really comforting and exciting to sing about.
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In the hysterical technocracy of modern music, sorrow is sent to the back of the class where it sits, pissing its pants in mortal terror.
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I think there's a certain numbness in modern society, that accepts certain kinds of violence, but represses other kinds of violence.
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Out of sorrow entire worlds have been built out of longing great wonders have been willed they're only little tears darling let them spill and lay your head upon my shoulder.
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A is for Answering all your prayers, N is for kNowing that your loverman's going to be the answer.
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Writing is a necessary thing for me, just to keep myself level. It has beneficial effects on my life.
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You're collaborating with people you don't even know, when you're making a film. You're collaborating with people you've never seen. So, the collaborative process is very, very different than when you're collaborating on a record with the musicians you've worked with all your life.
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Into the mercy seat I climb My head is shaved, my head is wired And like a moth that tries To enter the bright eye I go shuffling out of life Just to hide in death awhile And anyway I never lied.
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God has matured. He is not the impulsive, bowelless being of the Testaments - the vehement glorymonger, with His bag of cheap carny tricks and his booming voice - the fiery huckster with his burning bushes and his wonder wands. Nowadays God knows what He wants and He knows who He wants.
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I have a particular dislike for children's films. I'm way past the novelty aspect.
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The body becomes the carrier for the work. It's not really about the physical body it really becomes the apparatus that carries and moves the work. I don't really consider the body as much I look at it as a tool.
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When I start to write a song, I initially fall into patterns and creative habits that are familiar, and because they're familiar, they sound convincing. It's important for me to not pursue those ideas, because I've already done them, but to find ideas that are different and feel strange to write and disconcerting to write.
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Writing screenplays makes me a better musician because it clears my head. After writing a movie, I go running back to music as fast as I can.
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