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The body becomes the carrier for the work. It's not really about the physical body it really becomes the apparatus that carries and moves the work. I don't really consider the body as much I look at it as a tool.
Nick Cave
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Nick Cave
Age: 67
Born: 1957
Born: September 22
Actor
Author
Composer
Film Director
Librettist
Musician
Novelist
Pianist
Screenwriter
Singer
Singer-Songwriter
Songwriter
Writer
Warracknabeal
Victoria
Australia
Nicholas Edward Cave
Work
Consider
Much
Tools
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Physical
Carrier
Becomes
Apparatus
Moving
Carries
Body
Carrie
Look
Tool
Looks
Moves
More quotes by Nick Cave
All of our days are numbered. We cannot afford to be idle. To act on a bad idea is better than to not act at all, because the worth of an idea never becomes apparent until you do it.
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There's that kind of song, Whoah baby, I love you, which doesn't have a visual element, but a very strong emotional element, and these are the great songs to me - those ones that you put them on and they just make you feel great, or whatever.
Nick Cave
The older I get, the more I feel those kinds of ghosts - especially the women in my life - moving out of the shadows a bit more and becoming more present in my life.
Nick Cave
At the end, we're kind of observers - creative people, I mean. I feel like an observer, and I'm pretty much able to step out of things and see how things are playing out.
Nick Cave
No fish can swim until the King is born, until the King is born in Tupelo.
Nick Cave
I’ve never intended to make religious records or records that preach some kind of point of view... If you’re involved with imagination and the creative process, it’s not such a difficult thing to believe in a god. But I’m not involved in any religions.
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I've always been at war with the guitar. All vocalists are fighting a war with the electric rhythm guitar.
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Into the mercy seat I climb My head is shaved, my head is wired And like a moth that tries To enter the bright eye I go shuffling out of life Just to hide in death awhile And anyway I never lied.
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Most screen violence is tedious.
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When I’m singing “Deanna,” for example, which I sing pretty much every night, it brings forward a kind of imagined, romanticized lie about this particular person, which I find really comforting and exciting to sing about.
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The way I take in the world is by seeing it that is very much evident in the songs that I write.
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Some are exploring the world through the subconscious. I've done that on occasions for various reasons, whether it be illness or self abuse, or whatever. Once things start to look grotesque I don't write them or sing them. I couldn't write them - making nightmares into living daylight...The minute it gets dark I shoot back, retreat.
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I consider myself to be first and foremost a comic writer. The way I entertain myself - especially in those long and grim hours in the office - is to write stuff I find funny.
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I don't particularly believe all love is doomed. But I guess, one is usually kinda suffering from some aborted love affair or association, rather than being at the peak of one. I think it's fairly obvious that a lot more suffering goes on in the name of love than the little happiness you can squeeze out of it.
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I don't know, maybe Australian humour isn't supposed to be funny. It's as dry as the Sahara, and I think people miss that.
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I don't really do Japanese interviews. I don't think there's much call for me in Japan.
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I see it as my duty in some way is to be out in the world as an Australian putting forward what I consider to be authentic Australian music.
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Kylie Minogue is the greatest thing that has happened to Australian music.
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Your limitations make you the wonderful disaster you most probably are.
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The more settled I've become, the more problematic my characters have become. There was a period when I wrote sensitive and gentle songs and these came at a time when life was at its most destructive. I think you write about what you need, on some level.
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