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That's what we [outsiders] feel America is really about - the kind of crazed ravings of the Christian right - when it's probably something quite different.
Nick Cave
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Nick Cave
Age: 67
Born: 1957
Born: September 22
Actor
Author
Composer
Film Director
Librettist
Musician
Novelist
Pianist
Screenwriter
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Singer-Songwriter
Songwriter
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Warracknabeal
Victoria
Australia
Nicholas Edward Cave
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America
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More quotes by Nick Cave
The problem with books, now that I've written one, is that the idea of adaptation is so much easier than sitting down to write something new.
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Getting married, for me, was the best thing I ever did. I was suddenly beset with an immense sense of release, that we have something more important than our separate selves, and that is the marriage. There's immense happiness that can come from working towards that.
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The society of whores stuck needles in an image of me.
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The body becomes the carrier for the work. It's not really about the physical body it really becomes the apparatus that carries and moves the work. I don't really consider the body as much I look at it as a tool.
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I don't really do Japanese interviews. I don't think there's much call for me in Japan.
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There's always pain around. That's one thing you can guarantee in life - there will always be a surplus of pain.
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There's that kind of song, Whoah baby, I love you, which doesn't have a visual element, but a very strong emotional element, and these are the great songs to me - those ones that you put them on and they just make you feel great, or whatever.
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If you're Australian, you feel it in your bones because you're at odds with everybody else, except other Australians, in the sense that people always seem to be behaving strangely. People always seem to be behaving the wrong way, in a different way. You say things and there are silences.
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Everyone wants to feel that they matter.
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Rock music is the province of the young, and it should be made by young people. I'm not running around in a pair of spandex tights trying to reclaim my youth.
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The editing of a song is largely what makes the song for me and I think that actually if I had started going like 'I want you to burn' it would have pinned that song down to a particular thing and made that song a smaller idea than what it is. By leaving that off it's much more open, broader.
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It's an Australian thing to be dismissive. We find that endearing. Americans don't. They believe what you say.
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You're one microscopic cog in his catastrophic plan.
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Texting is apocalyptic on some level. It's a reduction of things.
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Some people, myself in particular, have an adversarial relationship with the camera, and it sprouts up in every photograph.
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I have a particular dislike for children's films. I'm way past the novelty aspect.
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Film seems to be a medium designed for betrayal and violence.
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A gentleman never talks about his tailor.
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I have to be able to pull you in. How can I diversify my audiences? What role do I have to play to be part of that shift? I have to take that seriously.
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