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I don't think Hollywood makes many good films anymore. How many directors can you really trust to have an artistic vision, not a corporate vision or a watered-down communal one?
Nick Cave
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Nick Cave
Age: 67
Born: 1957
Born: September 22
Actor
Author
Composer
Film Director
Librettist
Musician
Novelist
Pianist
Screenwriter
Singer
Singer-Songwriter
Songwriter
Writer
Warracknabeal
Victoria
Australia
Nicholas Edward Cave
Hollywood
Think
Trust
Watered
Thinking
Vision
Communal
Makes
Corporate
Film
Artistic
Anymore
Many
Directors
Really
Films
Good
More quotes by Nick Cave
I've always been at war with the guitar. All vocalists are fighting a war with the electric rhythm guitar.
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I'm a kind of hard-wired pessimist. I can't help but see the world in a certain kind of way.
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I just found this world a hard place to be good in,’ says Bunny, then he closes his eyes and, with an expiration of breath, goes still.
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I write songs from the point of view I had at a timeI'm not tryingto write songs from a young person's point of view.That only ends in disaster.
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At school I was an anti-magnet for women.
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I see it as my duty in some way is to be out in the world as an Australian putting forward what I consider to be authentic Australian music.
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Into the mercy seat I climb My head is shaved, my head is wired And like a moth that tries To enter the bright eye I go shuffling out of life Just to hide in death awhile And anyway I never lied.
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Everybody tends to overplay live. That's just the nature of playing live. And that can be great, but it can also kill something that's special, and intimate, about a recorded version of a song. You find out very quickly which songs you can play, and which songs you do damage to by playing them live.
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I'm an Australian, and when I grew up much of my influences were American - blues music and country music, all that sort of thing.
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The idea of songwriting is a transformative thing, and what I do with songwriting is take situations that are quite ordinary and transform them in some way. Apart from things like the murder ballads, the songs I write, at their core, are quite ordinary human concerns, but the process of writing about them transforms them into something else.
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Oh, a passing, skeptical kind of interest. I'm a hammer-and-nails kind of guy.
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No wonder sorrow doesn’t smile much. No wonder sadness is so sad.
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The more information you have, the more human our heroes become and consequently the less mysterious and godlike. They need to be godlike.
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God has matured. He is not the impulsive, bowelless being of the Testaments - the vehement glorymonger, with His bag of cheap carny tricks and his booming voice - the fiery huckster with his burning bushes and his wonder wands. Nowadays God knows what He wants and He knows who He wants.
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To my undying shame, I do read reviews. I don't read them all, but I like to get some kind of idea how things are going.
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You're collaborating with people you don't even know, when you're making a film. You're collaborating with people you've never seen. So, the collaborative process is very, very different than when you're collaborating on a record with the musicians you've worked with all your life.
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The more settled I've become, the more problematic my characters have become. There was a period when I wrote sensitive and gentle songs and these came at a time when life was at its most destructive. I think you write about what you need, on some level.
Nick Cave
Film seems to be a medium designed for betrayal and violence.
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He who seeks, finds, and who knocks, will be let in.
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Hamlet got a gun now.
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