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Most people wait for the muse to turn up. That's terribly unreliable. I have to sit down and pursue the muse by attempting to work.
Nick Cave
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Nick Cave
Age: 67
Born: 1957
Born: September 22
Actor
Author
Composer
Film Director
Librettist
Musician
Novelist
Pianist
Screenwriter
Singer
Singer-Songwriter
Songwriter
Writer
Warracknabeal
Victoria
Australia
Nicholas Edward Cave
Wait
Turn
Waiting
Turns
Unreliable
Work
Muse
People
Terribly
Attempting
Pursue
More quotes by Nick Cave
To my undying shame, I do read reviews. I don't read them all, but I like to get some kind of idea how things are going.
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I'm unable to really write the kind of song that doesn't have a visual element, which most songs don't.
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When I start writing songs, and they come easily, I'm always very suspicious. That usually means they're reminding me of something I've already done before. When the songs become unsettling, and I feel anxious about what I'm doing, that usually means it's going to be more interesting later on when we actually record the stuff.
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I became a script writer with absolutely no idea of how to write a script whatsoever. I still feel a bit of an outsider in that regard. If I can maintain that approach to screenwriting, it can continue to be enjoyable.
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Who knows their own story? It certainly makes no sense when you’re in the middle of it
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What I want people to recognize is that we have to keep working together and take charge because we all have the same story.
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In the hysterical technocracy of modern music, sorrow is sent to the back of the class where it sits, pissing its pants in mortal terror.
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Everybody tends to overplay live. That's just the nature of playing live. And that can be great, but it can also kill something that's special, and intimate, about a recorded version of a song. You find out very quickly which songs you can play, and which songs you do damage to by playing them live.
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When I start to write a song, I initially fall into patterns and creative habits that are familiar, and because they're familiar, they sound convincing. It's important for me to not pursue those ideas, because I've already done them, but to find ideas that are different and feel strange to write and disconcerting to write.
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I am not interested in anything that doesn't have a genuine heart to it. You've got to have soul in the hole. If that isn't there, I don't see the point.
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I'm a big fan of teatowels and am always on the lookout for a good one.
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This is how it essentially is for Bunny Junior. He loves his dad. He thinks there is no dad better, cleverer, or more capable, and he stands there beside him with a sense of pride - he's my dad - and he also, of course, stands beside him because he has nowhere else to go.
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Rock music is the province of the young, and it should be made by young people. I'm not running around in a pair of spandex tights trying to reclaim my youth.
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Texting is apocalyptic on some level. It's a reduction of things.
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I think I have always had a pretty strong creative impulse. And that has probably saved me from abandoning myself completely.
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You're one microscopic cog in his catastrophic plan.
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I think it's an essential fact for any performer or artist to fail as poignantly as they can succeed.
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I've always hated narrative songs. I hate those songs where, basically, it's an unfolding of a story.
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Out of sorrow entire worlds have been built out of longing great wonders have been willed they're only little tears darling let them spill and lay your head upon my shoulder.
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I just want to leave this world with a massive catalog of songs.
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