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I see it as my duty in some way is to be out in the world as an Australian putting forward what I consider to be authentic Australian music.
Nick Cave
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Nick Cave
Age: 67
Born: 1957
Born: September 22
Actor
Author
Composer
Film Director
Librettist
Musician
Novelist
Pianist
Screenwriter
Singer
Singer-Songwriter
Songwriter
Writer
Warracknabeal
Victoria
Australia
Nicholas Edward Cave
Consider
Forward
Duty
Music
Way
World
Australian
Authentic
Putting
More quotes by Nick Cave
L.A. is full of screenwriters. I don't know why. On many levels, it's such a thankless occupation.
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All of our days are numbered. We cannot afford to be idle. To act on a bad idea is better than to not act at all, because the worth of an idea never becomes apparent until you do it.
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I just want to leave this world with a massive catalog of songs.
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The problem with books, now that I've written one, is that the idea of adaptation is so much easier than sitting down to write something new.
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We are still struggling with people who don't feel comfortable going into museums. As a visual artist I ask how artists can be part of enacting a change.
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I don't particularly believe all love is doomed. But I guess, one is usually kinda suffering from some aborted love affair or association, rather than being at the peak of one. I think it's fairly obvious that a lot more suffering goes on in the name of love than the little happiness you can squeeze out of it.
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Do I personally believe in a personal God? No.
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Some people, myself in particular, have an adversarial relationship with the camera, and it sprouts up in every photograph.
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I've watched 'Oprah Winfrey.' And I'm proud. I don't care what anybody says! I don't know whether I've watched it. I've been in the room while it's been on.
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In the hysterical technocracy of modern music, sorrow is sent to the back of the class where it sits, pissing its pants in mortal terror.
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This is how it essentially is for Bunny Junior. He loves his dad. He thinks there is no dad better, cleverer, or more capable, and he stands there beside him with a sense of pride - he's my dad - and he also, of course, stands beside him because he has nowhere else to go.
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God has matured. He is not the impulsive, bowelless being of the Testaments - the vehement glorymonger, with His bag of cheap carny tricks and his booming voice - the fiery huckster with his burning bushes and his wonder wands. Nowadays God knows what He wants and He knows who He wants.
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I have to be able to see the thing that's going on that I'm writing about, or else it just doesn't make any sense to me.
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Look, when I look back, from 20 onwards, I was actually having a pretty good time, I have to say.
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After a while, you just don't do things you don't wanna do - that's the great freedom you get, the older you get. You learn what to do and what not to do, and what will be a waste of time and what won't be a waste of time.
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Getting married, for me, was the best thing I ever did. I was suddenly beset with an immense sense of release, that we have something more important than our separate selves, and that is the marriage. There's immense happiness that can come from working towards that.
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The more settled I've become, the more problematic my characters have become. There was a period when I wrote sensitive and gentle songs and these came at a time when life was at its most destructive. I think you write about what you need, on some level.
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Stars have their moments then they die.
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The idea of songwriting is a transformative thing, and what I do with songwriting is take situations that are quite ordinary and transform them in some way. Apart from things like the murder ballads, the songs I write, at their core, are quite ordinary human concerns, but the process of writing about them transforms them into something else.
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You're collaborating with people you don't even know, when you're making a film. You're collaborating with people you've never seen. So, the collaborative process is very, very different than when you're collaborating on a record with the musicians you've worked with all your life.
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