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At school I was an anti-magnet for women.

Nick Cave

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Nick Cave
Age: 66
Born: 1957
Born: September 22
Actor
Author
Composer
Film Director
Librettist
Musician
Novelist
Pianist
Screenwriter
Singer
Singer-Songwriter
Songwriter
Writer
Warracknabeal
Victoria
Australia
Nicholas Edward Cave
Women
Magnet
Anti
School

More quotes by Nick Cave

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Kylie Minogue is the greatest thing that has happened to Australian music.
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I'm a kind of hard-wired pessimist. I can't help but see the world in a certain kind of way.
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I am the captain of my pain.
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People think I'm a miserable sod but it's only because I get asked such bloody miserable questions.
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I don't feel I'm thrown around by the winds of taste and fashion.
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My music has to do with beauty, and it's intended to, if not lift the spirits, then be a kind of a balm to the spirits.
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Death looms large I guess because it should. It's the one thing that we as human beings from birth have a right to. It's the only thing we've really got, and I don't mean to sound bleak about this, but it's a unifying factor amongst us all.
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Hamlet got a gun now.
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Stars have their moments then they die.
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When I’m singing “Deanna,” for example, which I sing pretty much every night, it brings forward a kind of imagined, romanticized lie about this particular person, which I find really comforting and exciting to sing about.
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I've never been interested in being relevant.
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And she moves among the sparrows. And she floats upon the breeze. She moves among the flowers. She moves something deep inside of me
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I am not interested in anything that doesn't have a genuine heart to it. You've got to have soul in the hole. If that isn't there, I don't see the point.
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Look, when I look back, from 20 onwards, I was actually having a pretty good time, I have to say.
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Some are exploring the world through the subconscious. I've done that on occasions for various reasons, whether it be illness or self abuse, or whatever. Once things start to look grotesque I don't write them or sing them. I couldn't write them - making nightmares into living daylight...The minute it gets dark I shoot back, retreat.
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The editing of a song is largely what makes the song for me and I think that actually if I had started going like 'I want you to burn' it would have pinned that song down to a particular thing and made that song a smaller idea than what it is. By leaving that off it's much more open, broader.
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I've always hated narrative songs. I hate those songs where, basically, it's an unfolding of a story.
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I don't really do Japanese interviews. I don't think there's much call for me in Japan.
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Love songs come in many guises and are seemingly written for many reasons – as declarations or to wound – I have written songs for all of these reasons – but ultimately the love songs exist to fill, with language, the silence between ourselves and God, to decrease the distance between the temporal and the divine.
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I think there's a certain numbness in modern society, that accepts certain kinds of violence, but represses other kinds of violence.
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