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If you look around, complacency is the great disease of your autumn years, and I work hard to prevent that.
Nick Cave
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Nick Cave
Age: 66
Born: 1957
Born: September 22
Actor
Author
Composer
Film Director
Librettist
Musician
Novelist
Pianist
Screenwriter
Singer
Singer-Songwriter
Songwriter
Writer
Warracknabeal
Victoria
Australia
Nicholas Edward Cave
Work
Autumn
Years
Prevent
Disease
Around
Look
Looks
Hard
Great
Complacency
More quotes by Nick Cave
You're collaborating with people you don't even know, when you're making a film. You're collaborating with people you've never seen. So, the collaborative process is very, very different than when you're collaborating on a record with the musicians you've worked with all your life.
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The editing of a song is largely what makes the song for me and I think that actually if I had started going like 'I want you to burn' it would have pinned that song down to a particular thing and made that song a smaller idea than what it is. By leaving that off it's much more open, broader.
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In the hysterical technocracy of modern music, sorrow is sent to the back of the class where it sits, pissing its pants in mortal terror.
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There's always pain around. That's one thing you can guarantee in life - there will always be a surplus of pain.
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We are still struggling with people who don't feel comfortable going into museums. As a visual artist I ask how artists can be part of enacting a change.
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Death looms large I guess because it should. It's the one thing that we as human beings from birth have a right to. It's the only thing we've really got, and I don't mean to sound bleak about this, but it's a unifying factor amongst us all.
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I have to be able to see the thing that's going on that I'm writing about, or else it just doesn't make any sense to me.
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Out of sorrow entire worlds have been built out of longing great wonders have been willed they're only little tears darling let them spill and lay your head upon my shoulder.
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Love songs come in many guises and are seemingly written for many reasons – as declarations or to wound – I have written songs for all of these reasons – but ultimately the love songs exist to fill, with language, the silence between ourselves and God, to decrease the distance between the temporal and the divine.
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My responsibility as an artist is to turn up at the page or the piano or the microphone. The rest is up to God.
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Sorrow's child grieves not what has passed, but all the past still yet to come.
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The more information you have, the more human our heroes become and consequently the less mysterious and godlike. They need to be godlike.
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My records are basically a litany of complaints against the world, and I'm quite like that in real life as well.
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Into the mercy seat I climb My head is shaved, my head is wired And like a moth that tries To enter the bright eye I go shuffling out of life Just to hide in death awhile And anyway I never lied.
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I am not interested in anything that doesn't have a genuine heart to it. You've got to have soul in the hole. If that isn't there, I don't see the point.
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I've watched 'Oprah Winfrey.' And I'm proud. I don't care what anybody says! I don't know whether I've watched it. I've been in the room while it's been on.
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You don't meet a lot of people that you really like. I don't anyway.
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I want to write songs that are so sad, the kind of sad where you take someone's little finger and break it in three places.
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I don't write happy songs. Who does? I don't know anybody who writes happy songs, really.
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At school I was an anti-magnet for women.
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