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I'm a sucker for interiors and carefully, beautifully filmed people sitting in a big room. My appetites are simple.

Nicholson Baker

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Nicholson Baker
Age: 67
Born: 1957
Born: January 7
Novelist
Writer
New York City
New York
Room
Filmed
Rooms
Appetites
Simple
Sucker
Bigs
Beautifully
People
Interiors
Carefully
Appetite
Sitting

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While I was writing I assumed it would be published under a pseudonym, and that liberated me: what I wrote was exactly what I wanted to read.
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I wanted my first novel to be a veritable infarct of narrative cloggers-the trick being to feel your way through each clog by blowing it up until its obstructiveness finally reveals not blank mass but unlooked-for seepage points of passage.
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Poetry is prose in slow motion.
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As soon as you start doing that - changing things - it seems self-evident to me that you've entered the world of make-believe. If you pretend that it's true, and use your own name, you are misleading people. Fiction is looser and wilder and sometimes in the end more self-revealing, anyway.
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You almost believe that you will never come to the end of a roll of tape and when you do, there is a feeling, nearly, though very briefly, of shock and grief.
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I no longer want to live in an apartment furnished with forklifts and backhoes.
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I think I am done with Wikipedia for the time being. But I have a secret hope. Someone recently proposed a Wikimorgue - a bin of broken dreams where all rejects could still be read, as long as they weren't libelous or otherwise illegal.
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Wikipedia is just an incredible thing. It is fact-encirclingly huge, and it is idiosyncratic, careful, messy, funny, shocking and full of simmering controversies - and it is free, and it is fast.
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Most good novelists have been women or homosexuals. The novel is the triumphant evolved creation, one increasingly has to think, of these two groups, who have cooperated more closely in this domain than in any other.
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Books: a beautifully browsable invention that needs no electricity and exists in a readable form no matter what happens.
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I'm suspicious of full-replacement programs - that is, pronouncements that one way of doing something will entirely supplant another, and that in fact we have to hurry the replacement along.
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I prefer reading e-books on a high resolution LCD screen - like the iPod Touch's - although the pixel density could and should be much higher.
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Some after-the-fact storytelling is inevitable, and, in fact, very good and useful. But then we want always to be able to enrich the stories, or maybe change the stories with a fresh infusion of specificity.
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It's troubling to see how often Winston Churchill is a proponent of massive programs that are really aimed at civilians - starvation blockades and chemical warfare stockpiles and so on.
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I hadn't played any music since freshman year of college, more than thirty years ago, so I had to relearn everything. I started writing songs. Some were dance and trance songs (I listen to them a lot while I'm writing), and some were love songs, because that after all is what music is about - dancing and trancing and love and love's setbacks.
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Most writers are secretly worried that they're not really writers. That it's all been happenstance, something came together randomly, the letters came together, and they won't coalesce ever again.
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When I first wanted to be a writer, I learned to write prose by reading poetry.
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The great thing about novels is that you can be as unshy as you want to be. I'm very polite in person. I don't want to talk about startling or upsetting things with people.
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If you write every day, you're going to write a lot of things that aren't terribly good, but you're going to have given things a chance to have their moments of sprouting.
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The question any novel is really trying to answer is, Is life worth living?
Nicholson Baker