Quote

Sometimes I think with the telephone that if I concentrate enough I could pour myself into it and I'd be turned into a mist and I would rematerialize in the room of the person I'm talking to. Is that too odd for you?

Nicholson Baker

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Nicholson Baker
Age: 67
Born: 1957
Born: January 7
Novelist
Writer
New York City
New York
Persons
Telephones
Person
Mist
Enough
Concentrate
Sometimes
Odd
Would
Turned
Think
Room
Thinking
Rooms
Telephone
Talking
Pour

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People don't like to read text on computer screens (and reading a lot of text on iPod screens gets very tiring very soon, just about as soon as running out of battery power).
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As soon as you start doing that - changing things - it seems self-evident to me that you've entered the world of make-believe. If you pretend that it's true, and use your own name, you are misleading people. Fiction is looser and wilder and sometimes in the end more self-revealing, anyway.
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The great thing about novels is that you can be as unshy as you want to be. I'm very polite in person. I don't want to talk about startling or upsetting things with people.
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I really practiced hard and got to a certain level of technical proficiency. I overcame some of my limitations. I was a hard-working, dedicated bassoonist, but I have to say I'm not a natural musician.
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There's a time and place for the Kindle, and I own one now and have books on it that I don't otherwise have. But I don't find that my hand reaches out for it the way it does for a trade paperback, or (in the middle of the night) for the iPod Touch.
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A bee rose up from a sun-filled paper cup, off to make slum honey from some diet root beer it had found inside.
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I like shelves full of books in a library, but if all books become electronic, the task of big research libraries remains the same - keep what's published in the form in which it appeared.
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I no longer want to live in an apartment furnished with forklifts and backhoes.
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Sometimes I'll spend an hour writing a tiny email. I work on it until I've created the illusion that I've dashed it off in three minutes. If I make a typo, I let it stand. Sometimes in fact I correct the typo without thinking, and then I back up and retype the typo so that it'll look more casual. I don't know why.
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Writing has to do with truth-telling. When you're writing, let's say, an essay for a magazine, you try to tell the truth at every moment. You do your best to quote people accurately and get everything right. Writing a novel is a break from that: freedom. When you're writing a novel, you are in charge you can beef things up.
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Poetry is prose in slow motion.
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Most writers are secretly worried that they're not really writers. That it's all been happenstance, something came together randomly, the letters came together, and they won't coalesce ever again.
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The nice thing about a protest song is that it takes the complaint, the fussing, the finger-pointing, and gives it an added component of sociable harmony.
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Rarely do pens go dry in restaurants.
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I prefer reading e-books on a high resolution LCD screen - like the iPod Touch's - although the pixel density could and should be much higher.
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I wrote about World War II because I didn't understand it. I think that's the reason that historians are drawn to any subject - there's something about it that doesn't make sense. I wanted to work my way through what happened slowly, and look at everything in the order in which it took place.
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E.B. White's essays are the best things I've read about Maine - especially the one in which he's not sure if he can go out sailing any more in his sloop.
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Sometimes, despite the fact that you're reading through masses of material, you just can't not think about a certain event, for it seems to capture the reality of the entire situation so much better than any set of statistics.
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Haven't you felt a peculiar sort of worry about the chair in your living room that no one sits in?
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Some after-the-fact storytelling is inevitable, and, in fact, very good and useful. But then we want always to be able to enrich the stories, or maybe change the stories with a fresh infusion of specificity.
Nicholson Baker