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In the summer of 2010, I had decided to get into film and TV writing, so I wrote scripts for six different ideas I had developed, and the pilot for True Detective was one of them.
Nic Pizzolatto
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Nic Pizzolatto
Age: 49
Born: 1975
Born: October 18
Film Producer
Novelist
Screenwriter
Showrunner
Television Producer
University Teacher
Writer
New Orleans
Louisiana
Nicholas Austin Pizzolatto
Summer
Detective
Decided
Detectives
True
Pilot
Film
Pilots
Ideas
Developed
Different
Scripts
Writing
Six
Wrote
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The Atlantic really gave me my writing career - even just the conviction to be a writer.
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I'm not in the service business.
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The idea of being a show runner was very attractive to me, to create and control something.
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If landscape is a character for me, then it helps if I'm familiar with it and I already have a take on it.
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There's never been anything I didn't love that I didn't connect with on a personal level because to some degree, I projected upon it.
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I read The Conspiracy Against the Human Race and found it incredibly powerful writing. For me as a reader, it was less impactful as philosophy than as one writers ultimate confessional: an absolute horror story, where the self is the monster.
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You just do the best you can, and when you're able to connect with people, and when you do, it's just incredibly gratifying.
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I don't think you can create effectively toward expectation. I'm not in the service business.
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Some people, no matter where they look, they see themselves.
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I was raised in a heavily Catholic family. Early and consistent encounters with mysticism.
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I find the constraints of drama actually freeing: It brings everything down to character and action.
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As someone with a novelistic background, I just didn't have much interest in creating stories by committee. I don't think you necessarily get the best story through that approach.
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Certain experiences you can't survive, and afterward you don't fully exist, even if you failed to die.
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As human beings, we are nothing but the stories we live and die by — so you’d better be careful what stories you tell yourself.
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I knew the past wasn't real. It was only an idea, and the thing I'd wanted to touch, to brush against, the feeling I couldn't name - it just didn't exist. It was only an idea, too.
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I was raised by television. It was my first cultural window. It was a constant companion.
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For me as a storyteller, I want to follow the characters and the story through what they organically demand.
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