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I was raised in a heavily Catholic family. Early and consistent encounters with mysticism.

Nic Pizzolatto

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Nic Pizzolatto
Age: 49
Born: 1975
Born: October 18
Film Producer
Novelist
Screenwriter
Showrunner
Television Producer
University Teacher
Writer
New Orleans
Louisiana
Nicholas Austin Pizzolatto
Early
Family
Heavily
Mysticism
Encounters
Consistent
Catholic
Raised

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I'm not in the service business.
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I made True Detective like it was going to be the only thing I ever made for television. So put in everything and the kitchen sink. Everything.
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The Atlantic really gave me my writing career - even just the conviction to be a writer.
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There's never been anything I didn't love that I didn't connect with on a personal level because to some degree, I projected upon it.
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As human beings, we are nothing but the stories we live and die by — so you’d better be careful what stories you tell yourself.
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Certain experiences you can't survive, and afterward you don't fully exist, even if you failed to die.
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I was raised by television. It was my first cultural window. It was a constant companion.
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I knew the past wasn't real. It was only an idea, and the thing I'd wanted to touch, to brush against, the feeling I couldn't name - it just didn't exist. It was only an idea, too.
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For me as a storyteller, I want to follow the characters and the story through what they organically demand.
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You just do the best you can, and when you're able to connect with people, and when you do, it's just incredibly gratifying.
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I find the constraints of drama actually freeing: It brings everything down to character and action.
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I don't think you can create effectively toward expectation. I'm not in the service business.
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If landscape is a character for me, then it helps if I'm familiar with it and I already have a take on it.
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In the summer of 2010, I had decided to get into film and TV writing, so I wrote scripts for six different ideas I had developed, and the pilot for True Detective was one of them.
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I read The Conspiracy Against the Human Race and found it incredibly powerful writing. For me as a reader, it was less impactful as philosophy than as one writers ultimate confessional: an absolute horror story, where the self is the monster.
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As someone with a novelistic background, I just didn't have much interest in creating stories by committee. I don't think you necessarily get the best story through that approach.
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Some people, no matter where they look, they see themselves.
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