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Certain experiences you can't survive, and afterward you don't fully exist, even if you failed to die.
Nic Pizzolatto
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Nic Pizzolatto
Age: 48
Born: 1975
Born: October 18
Film Producer
Novelist
Screenwriter
Showrunner
Television Producer
University Teacher
Writer
New Orleans
Louisiana
Nicholas Austin Pizzolatto
Dying
Afterward
Alive
Surviving
Existence
Failed
Dies
Survive
Experience
Fully
Certain
Experiences
Even
Fate
Exist
More quotes by Nic Pizzolatto
I made True Detective like it was going to be the only thing I ever made for television. So put in everything and the kitchen sink. Everything.
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I find the constraints of drama actually freeing: It brings everything down to character and action.
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Some people, no matter where they look, they see themselves.
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For me as a storyteller, I want to follow the characters and the story through what they organically demand.
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I'm not in the service business.
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As human beings, we are nothing but the stories we live and die by — so you’d better be careful what stories you tell yourself.
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As someone with a novelistic background, I just didn't have much interest in creating stories by committee. I don't think you necessarily get the best story through that approach.
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The idea of being a show runner was very attractive to me, to create and control something.
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I was raised in a heavily Catholic family. Early and consistent encounters with mysticism.
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In the summer of 2010, I had decided to get into film and TV writing, so I wrote scripts for six different ideas I had developed, and the pilot for True Detective was one of them.
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You just do the best you can, and when you're able to connect with people, and when you do, it's just incredibly gratifying.
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There's never been anything I didn't love that I didn't connect with on a personal level because to some degree, I projected upon it.
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If landscape is a character for me, then it helps if I'm familiar with it and I already have a take on it.
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I don't think you can create effectively toward expectation. I'm not in the service business.
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I was raised by television. It was my first cultural window. It was a constant companion.
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I read The Conspiracy Against the Human Race and found it incredibly powerful writing. For me as a reader, it was less impactful as philosophy than as one writers ultimate confessional: an absolute horror story, where the self is the monster.
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The Atlantic really gave me my writing career - even just the conviction to be a writer.
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I knew the past wasn't real. It was only an idea, and the thing I'd wanted to touch, to brush against, the feeling I couldn't name - it just didn't exist. It was only an idea, too.
Nic Pizzolatto
