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This whole notion that the robot has to declare nuclear war is one part of the discussion, but it may not be reality. Reality is, maybe it can empathize to a far greater degree than we can and experience a way wider range of emotions. So, why not have a robot that can do that?

Neill Blomkamp

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Neill Blomkamp
Age: 45
Born: 1979
Born: September 17
Animator
Film Director
Screenwriter
Johannesburg
Gauteng
South Africa
Greater
Range
War
Degree
Experience
Emotions
Empathize
Reality
Nuclear
Robot
Part
Notion
Wider
May
Degrees
Robots
Whole
Emotion
Declare
Way
Maybe
Discussion

More quotes by Neill Blomkamp

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My point of view actually on artificial intelligence, which ties into the nature for humans constantly looking into the reasons for why we exist and why consciousness exists changed during the making of Chappie. And I'm not actually completely sure that humans are going to be capable of giving birth to A.I. in the way that films fictionalize it.
Neill Blomkamp
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If you look at the most meaningful science fiction, it didn't come from watching other films. We seem to be in a place now where filmmakers make films based on other films because that's where the stimuli and influence comes from.
Neill Blomkamp
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I think naturally I'm a very visual kind of person. If I wasn't in filmmaking, I'd be in something related to visuals. And I used to actually work as a visual-effects artist.
Neill Blomkamp
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Deleted scenes are like in a middle gray zone. It's like, well, they're deleted because they're not good or you lost the battle and you couldn't put them in the movie.
Neill Blomkamp
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It's just my maybe naive, optimistic view that whatever knowledge we gain, and if it comes to pass that we can somehow understand what consciousness is, if we can somehow create that, it will ultimately be used for the good.
Neill Blomkamp
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I do think that it's always okay to show too little. People will still be interested. So why show too much?
Neill Blomkamp
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'District 9' was a singular anti-Apartheid metaphor, and 'Elysium' is a more general metaphor about immigration and how the First World and Third World meet. But the thing that I like the most about the metaphor is that it can be scaled to suit almost any scenario.
Neill Blomkamp
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I think that in the realm of commercial, popcorn cinema, the amount of message or smuggling of ideas you can get in there is quite limited. Like, if you think you're going to make a difference or change anything, you're on pretty dangerous thin ice.
Neill Blomkamp
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I love the idea of people being themselves in films.
Neill Blomkamp
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Johannesburg is weird, because half of it is like Los Angeles. It feels like just wealthy parts of L.A. But half of it is severe slummy, something like Rio De Janiero or something. So it's kind of weird, because it's both happening at the same time.
Neill Blomkamp
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There's a lot of evidence in evolutionary sciences that show that altruism and acting in ways that are empathetic to others are actually beneficial on an evolutionary basis.
Neill Blomkamp
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There's no question that how Johannesburg operates is what made me interested in the idea of wealth discrepancy. 'Elysium' could be a metaphor for just Jo'burg, but it's also a metaphor for the Third World and the First World. And in science fiction, separation of wealth is a really interesting idea to mess with.
Neill Blomkamp
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I actually think Johannesburg represents the future. My version of what I think the world is going to become looks like Johannesburg.
Neill Blomkamp
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I think people are destined for something incredible if we don't wipe ourselves out, but I think we're going to wipe 90 percent of ourselves out.
Neill Blomkamp
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I had artists that refused to work on Chappie if they were working on a design that actually said Denel on the side of the thing. But anyway, it's the blurring of fiction and reality that was appealing and I certainly did not want them to be in the movie and not be themselves.
Neill Blomkamp
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I am a firm believer that the pull for human beings is towards the good, generally outweighing the bad.
Neill Blomkamp
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If you don't have something that glues the audience to the screen, you're in trouble.
Neill Blomkamp
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I never think of things rationally or intellectually. I swear, every single decision I make is just instinct and my instincts tend to be accurate.
Neill Blomkamp
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I don't believe in director's cuts and I also don't really believe in deleted scenes because the movie that is in theaters, that's what the director made.
Neill Blomkamp
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Obviously I don't want to make a film that offends people, but the whole world is so politically correct - I'm not going to not do something because it may be politically incorrect. At some point, the metaphors and allegories break down. They disappear, and you just have science fiction.
Neill Blomkamp