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Deleted scenes are like in a middle gray zone. It's like, well, they're deleted because they're not good or you lost the battle and you couldn't put them in the movie.
Neill Blomkamp
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Neill Blomkamp
Age: 45
Born: 1979
Born: September 17
Animator
Film Director
Screenwriter
Johannesburg
Gauteng
South Africa
Movie
Deleted
Lost
Scenes
Wells
Gray
Well
Zone
Good
Battle
Like
Couldn
Scene
Middle
More quotes by Neill Blomkamp
I had artists that refused to work on Chappie if they were working on a design that actually said Denel on the side of the thing. But anyway, it's the blurring of fiction and reality that was appealing and I certainly did not want them to be in the movie and not be themselves.
Neill Blomkamp
I love the idea of people being themselves in films.
Neill Blomkamp
You can build a brain the size of a room, theoretically. You could also build a silicone based life form and it could be sentient. There's no limit to the height that you can reach in terms of design once we figure out how to design things, theoretically.
Neill Blomkamp
If something is as smart as you, do you treat it differently if it isn't a human?
Neill Blomkamp
If you don't have something that glues the audience to the screen, you're in trouble.
Neill Blomkamp
I was touching on the idea of the autonomous militaristic or autonomous law enforcement idea, but it wasn't the primary driving force.
Neill Blomkamp
High-level actors can be all about their close-ups and the size of their trailers. I'd heard these horror stories of how a really powerful actor can come in and change your script.
Neill Blomkamp
Johannesburg is weird, because half of it is like Los Angeles. It feels like just wealthy parts of L.A. But half of it is severe slummy, something like Rio De Janiero or something. So it's kind of weird, because it's both happening at the same time.
Neill Blomkamp
'District 9' was a singular anti-Apartheid metaphor, and 'Elysium' is a more general metaphor about immigration and how the First World and Third World meet. But the thing that I like the most about the metaphor is that it can be scaled to suit almost any scenario.
Neill Blomkamp
A lot of parts of L.A. are interchangeable with suburbs in Joburg. Very big, ostentatious houses with palm trees and lawns. Lawns are very important. Never underestimate lawns.
Neill Blomkamp
I think that in the realm of commercial, popcorn cinema, the amount of message or smuggling of ideas you can get in there is quite limited. Like, if you think you're going to make a difference or change anything, you're on pretty dangerous thin ice.
Neill Blomkamp
There are loads of sociopolitical, racial, class and future-planet situations that really interest me, but I'm not really interested in making a film about them in a film that feels like reality because people view that in a different way. I like using science fiction to talk about subjects through the veneer of science fiction.
Neill Blomkamp
I think naturally I'm a very visual kind of person. If I wasn't in filmmaking, I'd be in something related to visuals. And I used to actually work as a visual-effects artist.
Neill Blomkamp
I never think of things rationally or intellectually. I swear, every single decision I make is just instinct and my instincts tend to be accurate.
Neill Blomkamp
I do think that it's always okay to show too little. People will still be interested. So why show too much?
Neill Blomkamp
There's no question that how Johannesburg operates is what made me interested in the idea of wealth discrepancy. 'Elysium' could be a metaphor for just Jo'burg, but it's also a metaphor for the Third World and the First World. And in science fiction, separation of wealth is a really interesting idea to mess with.
Neill Blomkamp
My point of view actually on artificial intelligence, which ties into the nature for humans constantly looking into the reasons for why we exist and why consciousness exists changed during the making of Chappie. And I'm not actually completely sure that humans are going to be capable of giving birth to A.I. in the way that films fictionalize it.
Neill Blomkamp
I don't want to make a film that offends people, but the whole world is so politically correct - I'm not going to not do something because it may be politically incorrect. At some point, the metaphors and allegories break down. They disappear, and you just have science fiction.
Neill Blomkamp
I actually think Johannesburg represents the future. My version of what I think the world is going to become looks like Johannesburg.
Neill Blomkamp
I don't believe in director's cuts and I also don't really believe in deleted scenes because the movie that is in theaters, that's what the director made.
Neill Blomkamp
