Share
×
Inspirational Quotes
Authors
Professions
Topics
Tags
Quote
I actually think Johannesburg represents the future. My version of what I think the world is going to become looks like Johannesburg.
Neill Blomkamp
Share
Change background
T
T
T
Change font
Original
TAGS & TOPICS
Neill Blomkamp
Age: 45
Born: 1979
Born: September 17
Animator
Film Director
Screenwriter
Johannesburg
Gauteng
South Africa
Thinking
Version
Like
Versions
World
Actually
Future
Become
Looks
Going
Johannesburg
Think
Represents
More quotes by Neill Blomkamp
Johannesburg is weird, because half of it is like Los Angeles. It feels like just wealthy parts of L.A. But half of it is severe slummy, something like Rio De Janiero or something. So it's kind of weird, because it's both happening at the same time.
Neill Blomkamp
If you look at the most meaningful science fiction, it didn't come from watching other films. We seem to be in a place now where filmmakers make films based on other films because that's where the stimuli and influence comes from.
Neill Blomkamp
If you just compare South Africans to the rest of the world, I think that white South Africans, and especially English-speaking white South Africans, are exactly the same as Brits or Australians or New Zealanders or Canadians or Americans.
Neill Blomkamp
I think people are destined for something incredible if we don't wipe ourselves out, but I think we're going to wipe 90 percent of ourselves out.
Neill Blomkamp
If something is as smart as you, do you treat it differently if it isn't a human?
Neill Blomkamp
My point of view actually on artificial intelligence, which ties into the nature for humans constantly looking into the reasons for why we exist and why consciousness exists changed during the making of Chappie. And I'm not actually completely sure that humans are going to be capable of giving birth to A.I. in the way that films fictionalize it.
Neill Blomkamp
I do think that it's always okay to show too little. People will still be interested. So why show too much?
Neill Blomkamp
There's no question that how Johannesburg operates is what made me interested in the idea of wealth discrepancy. 'Elysium' could be a metaphor for just Jo'burg, but it's also a metaphor for the Third World and the First World. And in science fiction, separation of wealth is a really interesting idea to mess with.
Neill Blomkamp
'District 9' was a singular anti-Apartheid metaphor, and 'Elysium' is a more general metaphor about immigration and how the First World and Third World meet. But the thing that I like the most about the metaphor is that it can be scaled to suit almost any scenario.
Neill Blomkamp
I think naturally I'm a very visual kind of person. If I wasn't in filmmaking, I'd be in something related to visuals. And I used to actually work as a visual-effects artist.
Neill Blomkamp
I never think of things rationally or intellectually. I swear, every single decision I make is just instinct and my instincts tend to be accurate.
Neill Blomkamp
I love the idea of people being themselves in films.
Neill Blomkamp
You can build a brain the size of a room, theoretically. You could also build a silicone based life form and it could be sentient. There's no limit to the height that you can reach in terms of design once we figure out how to design things, theoretically.
Neill Blomkamp
A lot of parts of L.A. are interchangeable with suburbs in Joburg. Very big, ostentatious houses with palm trees and lawns. Lawns are very important. Never underestimate lawns.
Neill Blomkamp
It's just my maybe naive, optimistic view that whatever knowledge we gain, and if it comes to pass that we can somehow understand what consciousness is, if we can somehow create that, it will ultimately be used for the good.
Neill Blomkamp
Deleted scenes are like in a middle gray zone. It's like, well, they're deleted because they're not good or you lost the battle and you couldn't put them in the movie.
Neill Blomkamp
I had artists that refused to work on Chappie if they were working on a design that actually said Denel on the side of the thing. But anyway, it's the blurring of fiction and reality that was appealing and I certainly did not want them to be in the movie and not be themselves.
Neill Blomkamp
I was touching on the idea of the autonomous militaristic or autonomous law enforcement idea, but it wasn't the primary driving force.
Neill Blomkamp
This whole notion that the robot has to declare nuclear war is one part of the discussion, but it may not be reality. Reality is, maybe it can empathize to a far greater degree than we can and experience a way wider range of emotions. So, why not have a robot that can do that?
Neill Blomkamp
I think that in the realm of commercial, popcorn cinema, the amount of message or smuggling of ideas you can get in there is quite limited. Like, if you think you're going to make a difference or change anything, you're on pretty dangerous thin ice.
Neill Blomkamp
