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Rewriting is when writing really gets to be fun. . . . In baseball you only get three swings and you're out. In rewriting, you get almost as many swings as you want and you know, sooner or later, you'll hit the ball.
Neil Simon
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Neil Simon
Age: 91 †
Born: 1927
Born: July 4
Died: 2018
Died: August 26
Entrepreneur
Film Producer
Librettist
Lyricist
Playwright
Screenwriter
New York City
New York
Marvin Neil Simon
Gets
Fun
Rewriting
Almost
Swings
Three
Sooner
Many
Ball
Writing
Balls
Really
Baseball
Later
More quotes by Neil Simon
It looks different when you're sober I thought I had twice as much furniture.
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[When you write a play] you walk into a forest without a knife, without a compass. But . . . if you have a sense of geography, you find that you're clearing a path and getting to the right place.
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If no one ever took risks, Michaelangelo would have painted the Sistine floor.
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I don't use computers... I'm someone who needs to see the page right away in my hand.
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The first book was my first attempt at writing full-length prose.
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All humor is based on hostility - that's why World War Two was funny.
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I go to see plays all the time, and whenever I see Chekhov, I'm amazed at how this Russian play strikes home to me living 100 years later in New York City. I'm drawn to him because of his way with characters and their relationships with each other.
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Standing on a ledge again. Everyone laughs at dancing monkey with the typewriter. Not for long, though.
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I was constantly being dragged out of movies for laughing too loud.
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Evan Handler's new book is simply wonderful. He pulls you inside his life, and you come out his very close friend.
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It's always painful when you're writing memoirs because you've got to go through the dark places, but it gives you a chance to find out the person you really are, not the person you thought you were.
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I never write a play with an eye to film.
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I much prefer writing an original movie with the screen in mind to transferring a play to the screen.
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Writers feel like a middleman, standing with pen in hand over the page. A force greater than me stands above telling me what to write. That may sound romantic, but that's how it feels.
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Talent is the gift plus the passion - a desire to succeed so intense that no force on earth can stop it.
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There's no such thing as a sure thing. That's why they call it gambling.
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Sudden money is going from zero to two hundred dollars a week. The rest doesn't count.
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I feel like writing about a time when I was probably, and think all of us are, the happiest before the obligations start in.
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I don't want to restrict the life of a play to a particular production. The original actors might leave after the first six months, and I want the play to last 30 or 40 years. You write for the character, not the actor on the stage.
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If you can go through life without experiencing pain you probably haven't been born yet.
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