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I don't use computers... I'm someone who needs to see the page right away in my hand.

Neil Simon

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Neil Simon
Age: 91 †
Born: 1927
Born: July 4
Died: 2018
Died: August 26
Entrepreneur
Film Producer
Librettist
Lyricist
Playwright
Screenwriter
New York City
New York
Marvin Neil Simon
Needs
Pages
Computer
Hand
Use
Away
Hands
Someone
Computers
Right
Page

More quotes by Neil Simon

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There's no such thing as a sure thing. That's why they call it gambling.
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Writers feel like a middleman, standing with pen in hand over the page. A force greater than me stands above telling me what to write. That may sound romantic, but that's how it feels.
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I feel like writing about a time when I was probably, and think all of us are, the happiest before the obligations start in.
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Once you've opened yourself up, it's best to go all the way.
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If you can go through life without experiencing pain you probably haven't been born yet.
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I understand. You work very hard two days a week and you need a five-day weekend. That's normal.
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I go to see plays all the time, and whenever I see Chekhov, I'm amazed at how this Russian play strikes home to me living 100 years later in New York City. I'm drawn to him because of his way with characters and their relationships with each other.
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Talent is the gift plus the passion - a desire to succeed so intense that no force on earth can stop it.
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Sudden money is going from zero to two hundred dollars a week. The rest doesn't count.
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Rewriting is when writing really gets to be fun. . . . In baseball you only get three swings and you're out. In rewriting, you get almost as many swings as you want and you know, sooner or later, you'll hit the ball.
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It looks different when you're sober I thought I had twice as much furniture.
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The first book was my first attempt at writing full-length prose.
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A lot of your personality is formed before you're 12, obviously, but only a few of my plays use characters from my childhood. The more mature plays are affected only by my adult experiences.
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I don't want to restrict the life of a play to a particular production. The original actors might leave after the first six months, and I want the play to last 30 or 40 years. You write for the character, not the actor on the stage.
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You get attached to the way you write, and I'm attached to notebooks. That's where I really write the plays. Just two or three pages at a time, then I transfer to the typewriter and rewrite while I type.
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All humor is based on hostility - that's why World War Two was funny.
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Evan Handler's new book is simply wonderful. He pulls you inside his life, and you come out his very close friend.
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He's too nervous to kill himself. He wears his seat belt in a drive-in movie.
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If no one ever took risks, Michaelangelo would have painted the Sistine floor.
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I much prefer writing an original movie with the screen in mind to transferring a play to the screen.
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