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I much prefer writing an original movie with the screen in mind to transferring a play to the screen.

Neil Simon

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Neil Simon
Age: 91 †
Born: 1927
Born: July 4
Died: 2018
Died: August 26
Entrepreneur
Film Producer
Librettist
Lyricist
Playwright
Screenwriter
New York City
New York
Marvin Neil Simon
Mind
Screens
Prefer
Originals
Original
Movie
Play
Writing
Transferring
Much
Screen

More quotes by Neil Simon

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I was constantly being dragged out of movies for laughing too loud.
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You get attached to the way you write, and I'm attached to notebooks. That's where I really write the plays. Just two or three pages at a time, then I transfer to the typewriter and rewrite while I type.
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Sports is the only entertainment where, no matter how many times you go back, you never know the ending.
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The first book was my first attempt at writing full-length prose.
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It's always painful when you're writing memoirs because you've got to go through the dark places, but it gives you a chance to find out the person you really are, not the person you thought you were.
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Rewriting is when writing really gets to be fun. . . . In baseball you only get three swings and you're out. In rewriting, you get almost as many swings as you want and you know, sooner or later, you'll hit the ball.
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Evan Handler's new book is simply wonderful. He pulls you inside his life, and you come out his very close friend.
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There's no such thing as a sure thing. That's why they call it gambling.
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If you can go through life without experiencing pain you probably haven't been born yet.
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I don't want to restrict the life of a play to a particular production. The original actors might leave after the first six months, and I want the play to last 30 or 40 years. You write for the character, not the actor on the stage.
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It looks different when you're sober I thought I had twice as much furniture.
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I feel like writing about a time when I was probably, and think all of us are, the happiest before the obligations start in.
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I go to see plays all the time, and whenever I see Chekhov, I'm amazed at how this Russian play strikes home to me living 100 years later in New York City. I'm drawn to him because of his way with characters and their relationships with each other.
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[When you write a play] you walk into a forest without a knife, without a compass. But . . . if you have a sense of geography, you find that you're clearing a path and getting to the right place.
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Standing on a ledge again. Everyone laughs at dancing monkey with the typewriter. Not for long, though.
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I love living. I have some problems with my life, but living is the best thing they've come up with so far.
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I understand. You work very hard two days a week and you need a five-day weekend. That's normal.
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A lot of your personality is formed before you're 12, obviously, but only a few of my plays use characters from my childhood. The more mature plays are affected only by my adult experiences.
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Talent is the gift plus the passion - a desire to succeed so intense that no force on earth can stop it.
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All humor is based on hostility - that's why World War Two was funny.
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